Explores the performative role of canonical literary works from the 1920s, providing a more nuanced understanding of high modernism and resituating it within literary history.
High modernism is accepted shorthand for the core phase of literary modernism in the 1920s, when Eliot, Joyce, Pound, Woolf, Mann, Kafka, Proust, Gide, and others published pivotal works. While there is consensus about the term's meaning, the value and significance...