Gwen John

By Alicia Foster

From London in the 1890s to Paris in the early twentieth century, Gwen John's career spanned some of the most exciting periods and places in cultural history. Demolishing the myth of Gwen John (1876-1939) as a recluse, this new survey explores the art world at the center of these cities and reveals the alliances and differences the artist had with her contemporaries. John's representation of the female nude, her paintings of interiors, and the effects of her Catholic faith on her work are all considered. The author also discusses the key relationship between John's position as a woman artist and her fascination with the portrayal of the female sitter.

• Format: Paperback
• Language: English
• ISBN: 069102944X
• ISBN13: 9780691029443
• Release Date: August 1999
• Publisher: Princeton University Press
• Length: 80 Pages
• Weight: 0.62 lbs.
• Dimensions: 10.0" x 0.3" x 6.5"

Customer Reviews

'Gwen John' by Alicia Foster; a refreshing change

'Gwen John' by Alicia Foster is one of the most interesting books that exist on this somewhat enigmatic artist. Foster reviews Gwen John's paintings with coolness and objectivity. This is especially refreshing as some writers on the same subject have engulfed themselves in biographical detail. This text, however, focuses on biographical information only as and when necessary. Foster evaluates Gwen John's paintings with regard to her artistic training at the Slade School as well as the influence of her decision to spend most of her career in Paris. She analyses John's occupation as artists model, her Catholic faith and her subject matter. Discussion is also given to Gwen John's work in relation to other artists working in the early part of the twentieth century, giving insight into the world in which Gwen John lived and worked.Foster considers both feminist and modernist evaluations of Gwen John's paintings whilst not adhering to either doctrine. At the same time she is able to present her research in concise and easily understood language. This text provides valuable insights for readers looking at early twentieth century portraiture. However it would also be an engaging and pleasurable read for anyone with an interest in art.