Going Places: The Guide to Travel Guides

by Greg Hayes

Helps the seasoned and new traveler locate travel bookstores, newsletters, and magazines appropriate to individual tastes in travel and evaluates popular guides. This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 1558320032
• ISBN13: 9781558320031
• Release Date: November 1988
• Publisher: Harvard Common Press
• Length: 792 Pages
• Weight: 2.36 lbs.
• Dimensions: 1.5" x 6.3" x 9.0"

Customer Reviews

Great filmmaking

Too many pro and con reviews miss the main thing: "Les Valseuses" is a wonderfully original FILM. Blier's inspired move is basically to go back to the pure, powerful slapstick comedy of the silent film era, but to liberate it from its hung-over late Victorian sexual morality. The result is an anarchic and very moving slapstick sex comedy that brilliantly imbues the antic, iconic filmmaking of the silent era with a wilder, richer, more radical humanity. Not to be missed.

Genet would approve of this farce. And keep this in mind: it is a farce.

How come no one told me of this movie, huh? I'm shocked that such a phenomenal movie could go under the radar for so long for me...and I'm 42. I mean I know it is a french film but there is just no excuse for this film not to be a household word universally, especially among cinephiles. That being said. Damn, what surprise and pleasure to stumble onto this. It's anarchic (nothing is owned, everything is "shared"; brutal humanism), hedonistic, spiked with black humor, and underlined with existential positivity. If all is vanity, the fight for rich life beyond rutted conventions is heroic if not divine. As two juvenile, and what AT FIRST seems to be misogynist, men bounce from trouble to trouble, with no regard for the future or the past, it reveals a philosophy that underscores every moment. It's life intensely lived and lived for its own sake. Anything related to death or fear, they bewilderedly mourn and turn away from. I personally find this the most life-affirming film I think I've ever scene. One critic called it a "hymn of life". Forget Spielberg and his life-draining sentimentality. It's childish and absurd but not fatuous; it's sexist in that gender roles are defined and yet unafraid to go beyond them; it's exploitive and illuminating; it's repulsive and seductive. Its an affront to a life of passivity!

Compelling and absorbing drama!

This is an antiestablishment film, focused on the alienation of the young and the bankruptcy of their lives. It's cruel, outrageous,bizarre and provocative portrait around two decadent characters who fornicate, steal and live according theor own behavior codes. The plot enriches itself due the presence of the incandescnet beauty of Jeanne Moreau who stars a woman back in circulation after ten years of prison. You may establish without any doubt this film is the French answer to Easy Rider but gifted with a major scope and conceptual complexity, because it trascends the anecdote. The enviable cast and the masterful direction of this promising director Bertrand Blier who ewentually who would become in a status filmmaker and one of the most gifted dierctors of his generation. Mature film from start to finish.!

Going Places

Going places Bertrand Blier's `Going Places' is an emotionally anarchic scream of agony, it's a startling shout of revolt, a violent, radical response to morals and organized thought, it has the spontaneous madness, the gambling recklessness, the holy poetry of the few specks of beauty in junkyards. It wallows in its own excess, self-consciously quoting itself furiously as it ventures into the delirium of the unpretentious pettiness and the beauty of the ugly youth. It laughs in the face of those who are offended, it's vicious and aggressive and madly in love with itself, it's furious and violent and insane, nihilistic and rotten and crazy with a desire to shock. Blier's passiveness is the most incredible and anarchic thing about `Going Places': that indifference, that disdain for justification, that love of shock that breaks the screen open and making it ripe and alive. `Going Places' is a declaration of war but perhaps the greatest thing about Blier's film is its ultimate tenderness, it's an aimless film about aimlessness and that somehow makes it beautiful and poetic. Filmmakers like Pasolini and Godard had portrayed aimlessness in a revolutionary way, the first shooting in long, intact sequences of powerful observation and ideological realism often making very good films, the latter using the on-the-run style of American paperbacks to show a touching carelessness in films like `Pierrot Le Fou' and `Band Of Outsiders'. But `Going Places' has the feel of something completely different, Blier makes the film with instinct and it works completely, it creates its own patterns of expectedness and wallows in its improvisational feel. It's shot in self-contained vignettes of petty rebellion and moving feelings of alienation, it spirals into beautiful flashes of madness and it risks everything, Blier captures the feel of a Bukowski poem, he shows the same unhinged, candid, rebellious and ultimately tragic (but in a minimalist sense) love of decay. The film is pure and coherent, deliberately unemotional and underwhelming and still Blier's film is still, perhaps against his will, incredibly moving (in his typically underwhelming, cynical and un-definable way). Blier has made a poetic comedy about outsiders made for outsiders and it has a juvenile wisdom to it, unpretentious and unexpectedly touching. `Going Places' is a film about people who shouldn't be in a film, and Blier's ending is completely conclusive because it stays true to its own anti-bourgeois spirit, ending in mid-sentence, and yet beautifully climatic in its own way, because the film is all about that: about youth trying to escape itself, covering disillusion with spontaneous invention and cries with screams. It's a sad film about un-idealized struggles, and it covers itself up with anti-reality, but reality comes crashing through, as in a film by Bertolucci, and the characters become the contradictions of their own existence.

a must see..!

Patrick Dweare and Gerard Depardieu are so good together in this movie.a lot of energy from the pair and also some good laughs,the dubbing is ok but i think the movie is better in french speaking.it's a must see if you like french movie.