"An outstanding study of Naylor's work It offers the quality and intensity of scholarship that her work deserves, and it is a significant addition to the body of scholarship that her work has inspired. Its ideas are large, but its language is accessible. . . . All of Naylor's fans will herald its presence."--Joyce Pettis, North Carolina State University
These essays about the important contemporary African-American novelist Gloria Naylor explore themes of race, class, domesticity, and sexual identity--the complex issues that contribute to Naylor's popularity with the general public as well as to her importance in the academy. They show how her novels function individually and how the first four--The Women of Brewster Place (1982), Linden Hills (1985), Bailey's Caf (1992), and Mama Day (1993)--work together as a quartet. The essays illuminate Naylor's vision of a universe that is rich, complicated, and fraught with possibility and impossibility--a world in which "everything got four sides . . . and] all of it is the truth."
Contents
Introduction: "Everything Got Four Sides"
Margot Anne Kelley is associate professor of English at Ursinus College, Collegeville, Pennsylvania. She is the author of several articles and book chapters on African-American women's literature and on Latina literature.