Glass Soup

by Jonathan Carroll

Book Overview

For connoisseurs of imaginative fiction, the novels of Jonathan Carroll are a special treat that occupy a space all their own. His surreal fictions, which deftly mix the everyday with the extraordinary, have won him a devoted following. Now, in "Glass Soup," Carroll continues to astound . . . . The realm of the dead is built from the dreams--and nightmares--of the living. Octopuses drive buses. God is a polar bear. And a crowded highway literally...

• Format: Hardcover
• Language: English
• ISBN: 0765311798
• ISBN13: 9780765311795
• Release Date: October 2005
• Publisher: Tor Books
• Length: 317 Pages
• Weight: 1.06 lbs.
• Dimensions: 1.1" x 5.8" x 8.5"

Customer Reviews

couldn't put this one down

This was my first time reading jonathan carroll and I really enjoyed it. Wasn't sure at first beacause I didn't know anything about him besides what I read in a review. I cannot wait to read more!

God is a polar bear named Bob

Jonathan Carroll is one very strange writer! This is the first book of his that I have read, and I certainly intend to read many more of them. I understand that this is a sequel to one of his other books, but it certainly stands on its own after some initial confusion. The whole book is surreal, and there is a shock and surprise on every page.I certainly don't want to spoil anyone's enjoyment who hasn't read the book, so I refuse to discuss the plot, except to say that it kept me quite interested from beginning to end. If you want to find out why God is a polar bear named Bob, you're just going to have to read the book for yourself!

Enthralling

Preparing for a recent interview with Carroll, I reread a pair of his earlier works to reacquaint myself with his unique storytelling style and the themes and motifs he returns to again and again. Sampling The Land of Laughs and Outside the Dog Museum again was pure pleasure--notable for their memorable lead characters, and for the nimble way Carroll depicts the intersection of the fantastic and the ordinary, both books demonstrate why Carroll is one of the most respected fantasists working today. Reading those books, however, did little to prepare me for the overall eloquence and bravado of Carroll's latest effort, Glass Soup. Building on characters and situations established in his previous novel, 2004's estimable White Apples, Glass Soup tells the continuing story of lovers Vincent Ettrich and Isabelle Nuekor, a couple whose relationship can only be described as extraordinary--their love is so strong that Isabelle actually succeeded in rescuing Vincent from death. Because all actions have consequences, and extraordinary actions have extraordinary consequences, Isabelle's rescue of Vincent causes Chaos to actually achieve consciousness, an awareness he/it will lose if things are allowed to progress the way they have since the beginning of time. Seeking to shift the cosmic balance in his favor, Chaos works through various emissaries to lure the now pregnant Isabelle back to the land of the dead; it seems that if her baby is born there, Chaos will remain sentient. Before the novel's touching conclusion, Isabelle's dilemma will touch the lives of all those around her in surprising and sometimes lethal ways. Along the way, Carroll waxes poetic about the nature of love, friendship, responsibility and the very fabric of reality. Even the pettiest of his characters manage to evoke sympathy, primarily because the villains of the piece are manipulating them in heinous ways. And those villains--Carroll knows heroes need formidable foes, which he provides in the malicious John Flannery and the smooth as silk Putnam. These two positively ooze evil as they try to force Vincent and Isabelle into increasingly untenable positions. Charming and absolutely enthralling, Glass Soup displays the creativity, intelligence and wit for which Carroll has become famous. As it says on the front flap of the book's dust jacket, "For connoisseurs of imaginative fiction, the novels of Jonathan Carroll are a special treat that occupy a space of their own." Glass Soup is perhaps the best example of that phenomenon to date.

Excellent Carroll Novel

The important thing to remember when thinking about _White Apples_ and its follow up, _Glass Soup_, is that these are primarily love stories. The tensions between chaos and control, the willingness to love the current form of the universe while maintaining openness toward its eventual demise, are all analogs of romantic love: what preserves it, what kills it, what makes it grow. Carroll doesn't write genre fiction, but if he did, he is probably best understood as a magical -- or even supernatural -- realist. He maps our real lives, and our emotional lives, onto a fantastic landscape. His books are our hearts writ large. Only the imaginative can comprehend the insights provided by such imaginative work. If you're not used to this type of writing, try it...with an open mind.

GOURMET GLASS SOUP & CARROTS OF WONDER

Once again Carrolls work causes bouts of discussion about exactly what the story is about and ' this doesn't work for me ..' and ' that is a bit ambiguous ..' or '...his finest piece of work since...' and '....I will never look at scrabble in the same way again ..' ...BUT ...people that is EXACTLY what a good book should do !!!! You should be stimulated into talking about it....it should make you angry, sad , happy, annoyed....heartbroken...awe-struck....you should laugh, you should cry ! If you have read it and it has provoked a reaction, be that positive or negative, then the story has worked ! It has made you think ! I have been reading Jonathan Carrolls' work from the first book published and no I didn't like every book he wrote, I am not a Carroll groupie, but I have READ every book he has wrote and each one causes a huge reaction within me and have loved him for it. If I have to pull a favourite from the past then Bones of the Moon it would be for its exploration of life within death which is certainly the topic of Glass Soup and its predecessor White Apples. I for one and am happy that the author has returned to his weird imagery of yore ' a la Bones of the Moon and Child Across the Sky ' but that is merely a personal whim as many readers were ehthralled by the very subtle weridness of the likes of The Wooden Sea and Kissing the Beehive. As with all of his books his characters are brilliantly alive and reactive to the scenes he sets, they are consumate in their life be they human, bear or otherwise ! ......and he is an absolute master in teasing the readers sensiblities and dangling carrots of wonder in front of your eyes causing you to read on and finish the book. I often wonder what it would be like to actually listen to Carroll read from his own words and would have no doubt that he would have made a fine travelling storyteller in medieval times. Is it fantasy ?....all fiction is fantasy so that question is not really one you should be asking... Is it frightening ?....Is it this ?..is it that ?... Why are you reading this review when you should be reading the book and finding out for yourself and eating his carrots !