In the wake of the critical success of The Late Parade ("poetry as lush as any of Keats's odes," New York Times Book Review), Adam Fitzgerald's George Washington follows in the documentary poetics tradition of William Carlos Williams's In the American Grain and Susan Howe's My Emily Dickinson. These frenetic poems channel the proper names and product placement in the suburban New Jersey memescape of the 1990s. Fitzgerald's catalogs--a world of video...
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Poetry