Maggie G nsberg explores gender portrayal on the Italian stage, and its shifting relationship with other social categories of class, age and the family from the Renaissance to the present day. She examines both the formal properties of drama and the conventions of drama in performance. An interdisciplinary approach and feminist perspective inform her critique of work by Machiavelli, Ariosto, Goldoni, D'Annunzio and Pirandello. She concludes by assessing...
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Arts, Music & Photography Continental European Criticism & Theory Drama European Gender Studies History & Criticism History & Surveys Humor & Entertainment Literature & Fiction Movements & Periods Performing Arts Philosophy Politics & Social Sciences Self-Help Sex Social Science Social Sciences Theater Women's Studies World Literature