Imagine Douglas Coupland writing a Kurt Vonnegut novel in hypertext. The outcome: Garbage Head, a daring postmodern novel written almost entirely in sentence-length paragraphs which examines the promiscuity of telecommunication devices and the vicarious thrills of celebrity culture. The reader surfs through the text gathering points of view and sound bites from disparate locales in real time and, just as in the today's world of endless stimuli,...