Antony Di Nardo delves into mortality, memory, and the cycles of loss and discovery with a sublime precision that relies on the sonic and visual play of language. His poetry surprises as much as it illuminates.
The title for Di Nardo's sixth collection comes from the Chinese ideogram for daylily, that tawny orange blossom, which bursts its borders in the summer and, in this book, finds its way into poetry that blurs the line between mysticism...
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Poetry