An interdisciplinary critical inquiry into the working dramaturgy of The Ravel Trilogy. This book frames the playtexts of The Ravel Trilogy--Bolero (2014), Concerto (2016), and Solo (2018)--alongside a series of reflective essays and provocations on contemporary dramaturgy and musicology from academics and artists in drama, music, linguistics, and fine art. It contextualizes the themes and approaches of the...