The stories of Yasunari Kawabata evoke an unmistakably Japanese atmosphere in their delicacy, understatement, and lyrical description. Like his later works, First Snow on Fuji is concerned with forms of presence and absence, with being, with memory and loss of memory, with not-knowing. Kawabata lets us slide into the lives of people who have been shattered by war, loss, and longing. These stories are beautiful and melancholy, filled with Kawabata's unerring vision of human psychology. First Snow on Fuji was originally published in Japan in 1958, ten years before Kawabata received the Nobel Prize. Kawabata selected the stories for this collection himself, and the result is a stunning assembly of disparate moods and genres. This new edition is the first to be published in English.
Having read and loved all of Kawabata's long stories and none of his short ones, I approached this book with considerable trepidation. There are some authors like Camus who are equally good in both forms and some others (to remain nameless) who I find are good in one style, but not the other. However, 'First Snow on Fuji' turned out to be from the classic Kawabata mold. I liked Silence, but I liked the 'boat-women' better (I have always been drawn to the story of the battle of Danno Ura, since I heard it originally from Carl Sagan's Cosmos at the age of ten) and 'Seamless stupas' and the Row of trees. The themes are surprisingly modern (this country, that country), given from Kawabata's unique insight into human consciousness. Definitely a book for the aficionado.
Unforgettable
Published by Thriftbooks.com User , 17 years ago
A few words transport you into a hidden world of the heart. This fine translation of Kawabata's prose makes each of these short stories resonate like Haiku long after you close the pages of the book.
Earlobes, novels, and cheating wives
Published by Thriftbooks.com User , 22 years ago
This was the 8th Yasunari Kawabata book that I have read. Kawabata finished writing this book back in the year 1959. It was during a time in his life in which he spent more time touring Japan and the worls than actually writing, so the reader must keep in mind that he wrote these beautiful stories while he was basiacally on the run from place to place. The stories in the book are all pretty sad. The first "This Country, That Country" deals with a young housewife named Takako who is having an affair behind her husband's back the thing is she is not having the affair with the man she wants to be having the affair with. The reader sees Takako torment when she talks to her secret love or even just thanks of him. She seems to know more about him than his wife. Oh, did I mention that she is the neighbor of her secret love?That is just an example of the stories that Kawabata weaves here. They are short and can be read in a short reading, but Kawabata's short stories have more meaning than some authors' 700 page novels. I really liked the stories "Nature" and "Silence" myself, and the story "Yumiura" is one of the saddess pieces of literature that I have ever read. A good book, but if you are new to Kawabata read _Thousand Cranes_ or beauty and Sadness instead.
Beautiful
Published by Thriftbooks.com User , 23 years ago
This volume should be in every library. Elegant and subtle language weave each tale that are delicately, and often painfully, human. The conclusions, abrupt and ambiguous, are haunting and thought provoking. This is a collection of stories that moves you and speaks to you long after you've finished.
Elegant and Simple
Published by Thriftbooks.com User , 23 years ago
This book, without a doubt, was the most elegant I have ever read. The langage is so beautiful that one reads it the same way one might poetry. Though the language alone could have made the book worthwhile, the stories are also haunting, like a painting that slowly reveals its secrets and hidden meanings. My favorite was the first story, "This Country That Country," but all of them are extraordinary.
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