This collection of essays deals with one central problem: who is the "I" in the odes of the ancient Greek poet Pindar? Since antiquity, the complex and allusive language of the first-person statements has provoked many different answers. In First Person Fictions, Lefkowitz describes the function and nature of Pindar's "I"-statements and offers a controversial solution, proposing that the voice of the victory odes is, rather than a changing identity,...