In Feminist Modernism, Poetics, and the New Economy, Linda A. Kinnahan argues that the work of Mina Loy, Lola Ridge, and Marianne Moore engages with the variations in feminist economic thought and discourse that developed in American culture from the 1890s through the 1920s. Kinnahan positions her study in relationship to the gendered field of economic discourse and cultural change that attended corporate consumer capitalism's astonishing ascendance...