Faust

by Johann Wolfgang von Goethe, Gustav von Loeper, Johan Volfgang Gëte

Book Overview

Faust is the protagonist of a classic German legend. He is a scholar who is highly successful yet dissatisfied with his life, which leads him to make a pact with the Devil, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. "Faust" and the adjective "Faustian" imply a situation in which an ambitious...

• Format: Paperback
• Language: English
• ISBN: 1548243353
• ISBN13: 9781548243357
• Release Date: January 1
• Publisher: Createspace Independent Publishing Platform
• Length: 142 Pages
• Weight: 0.76 lbs.
• Dimensions: 0.3" x 8.5" x 11.0"

Customer Reviews

Very good book

I love this book , is the kind of books you all should read

sehr gute version

Das Buch ist in Deutsch, this version is in German! Es ist sehr gut gemacht und man sieht dass der Verlag sich auch Mühe gegeben hat das Buch schön zu gestallten. Es sind viele Abbildungen drin die das Buch ein bisschen ansprechender Machen als anderen Auflagen.

Five bright stars.

"Vainly in the day time labored, pick and shovel, clink and strike." Goethe worked on Faust for much of his career, but composed some of the best of Part II in a time of life when most are in their rocking chairs or in the intensive care ward of the local nursing home. Goethe in his late seventies and early eighties would rise in the early dawn and compose some of the best poetry written. "I would elevate my mind to a kind of productivity which brought all this forth, in a full state of consciousness and which pleases me still, even though perhaps I could never swim again in such a river." It has been said that German poetry is difficult to translate or untranslatable, and this seems true with some translations of Faust, but the Norton contains a superb effort by Walter Arndt which appears always so on the mark that one suspects Arndt actually embellishes the German, but, rather than quibble over accuracy, it is all so good you will hardly care. Goethe builds upon the medieval Faust legend as a skeleton for his own writing in epic-poem style with various meter fashioned to fit the subject. Faust, weary of the ways of the world (one can almost hear the 60s hippy) embarks on a journey of self-discovery, skirt chasing and empire building finally ending in his 100th year in the ultimate trip, with a little help from his friend, Goethe. This composition is remarkable in innumerable ways. One can use a thesaurus of superlatives: wonderful imagery, perfect choice of words, peerless imagination, beautiful poetry, a unity to the whole which is memorable, as well as numerous wonderful scenes and lines, and always an intelligence that seems to absorb and understand everything. Of course, one can differ with Goethe philosophically. There are other angles from which to view life than Faust and his Mephistophelean foil. And Faust, which contains all the universal ingredients, can be faulted at times, dwelling too much on the antique philosophy, politics and literary questions which interested Goethe in his long life. But all this seems irrelevant to Faust as a work of art, permanently canonized for its beauty and writing alone, whatever disparagement or praise one might hold for its meaning or content. The Norton Edition is edited by Cyrus Hamlin whose interpretive notes are scholarly, contain a subtle respect for Goethe, and are in themselves a book worth reading. The selections of Goethe comment and scholarship range from the brilliant to the outer eliptics of literary criticism, and the included illustrations and Goethe letters on composition are a nice touch. The work of Hamlin and the Arndt translation which here frame Goethe as the main event make the Norton Critical Edition of Faust (2000) one of the better books one is likely to pick up.

Darwin was wrong

One of these days, someone asked if I believed in God. I answered: "Of course I do. There are some things in the world that couldn't have been created by men, such as Faust or The Divine Comedy. They must have been created by another entity, by God himself or through His direct inspiration. The human spirit is not that great."Darwin was wrong. Men have not evoluted since Dante or Goeth. The modern man has become an ancient monkey: our brain has diminished and it doesn't conceive these kinds of Masterpieces anymore.Who Am I to review such a Masterpiece as Faust? I`m just a monkey. A monkey that is going to read Faust for the fifth time in four years and still hasn't got it all, and, probably, never will.

poetic

When I read through the introduction, I was surprised to find out that this work was the result of a lifetime's endeavor - because it's relatively short. While authors these days churn out 600 page books on a yearly basis, this man wrote over the course of his life. The writing is very different from modern day authors such as Steven King, in that detail is only applied to objects sparingly, where as S.King's books tend to delve into details at will.

It's book not for describing but for READING

If you can dive in reading as if book pages were crystal water, if you can fall in love with Romeo and dream about walking in the wood with Robin Hood - it is the book for you. Just try not to think that tomorrow you'll have interview and your child can't get through arithmetics... Take some time for yourself, cup of coffee and this book. The mood of this book is great for stormy weather and dark room. I don't think there is a person who would dislike this book. If you did - think: maybe it wasn't good time for reading? Maybe you read it in bus while going to (or even worth - from) work? Try again in slow tempo and somewhat romantic mood.