Fast, Cheap and Written That Way: Top Screenwriters on Writing for Low-Budget Movies

by John Gaspard

Book Overview

Write Your Screenplay with the Help of Top Screenwriters It's like taking a Master Class in screenwriting ... all in one book Discover the pitfalls of writing to fit a budget from screenwriters who... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 1932907300
• ISBN13: 9781932907308
• Release Date: June 2007
• Publisher: Michael Wiese Productions
• Length: 304 Pages
• Weight: 1.25 lbs.
• Dimensions: 0.7" x 6.1" x 9.0"

Customer Reviews

My Dinner with Gaspard

If you are a fan of interview books (i.e conversations)as this author, and I, most obviously are, then this is for you. I grabbed this one on a lark looking for some inspiration along the dented and gray road to writing after spying Whit Stilman, Dylan Kidd and Kenneth Lonnergan's names included among the interviewees. The book covers many varied viewpoints and not a one comes without some kernel of insight that had my highlighter being repeatedly uncapped to keep certain insights fresh. The filmakers you may want to breeze over suddenly catch you by surprise with some startling insight and things you assumed were planned and calculated with your favorite films you discover were pure accidents of neccesity (budget, time, etc). The great lesson is, write what you can do, then do it. I actually parsed my chapters out so I wouldn't run through it too quick. It won't write your screenplay for you but it'll make you want to.

so well written you don't realizing you're learning how to write

Reading the interviews with writers/filmmakers like Ali Selim, Tom DiCillo, Whit Stillman, Henry Jaglom, Joan Micklin Silver, Eric Bogosian, Bob Clark, Kenneth Lonergan, LM Kit Carson, Stuart Gordan and Dan Futerman seem like you were having lunch with Gaspard and the writer and just were listening in as they talked about screenwriting. You may not recognize all those names but you'd know the movies they made. It has a very relaxed, informal style that seems to allow the people being interviewed to feel safe with Gaspard, open up and tell him a lot of information about the craft. Good stuff, I would highly recommend it.

Fantastic Interviews Open Up The World of Low Budget Film-Making

I will admit two things: 1. I'm on the verge of making my own low-budget film and, 2. I've only seen four of the 23 films talked about in this book. Thank God for Netflix. This is a companion to the equally great book: "Fast Cheap & Under Control" about the making of low-budget films. John Gaspard has collected 23 interviews from the screenwriters (and sometime directors) of many low budget films. Some of these films have been nominated for Academy Awards ("Capote") while others have taken their rightful place in the genre upon which they reside ("Re-Animator"). You will find every type and stripe of film here from period pieces to adaptations to original works. What makes this book excellent but equally frustrating for a wannabe film-maker as myself, is that the interviewees all have different stories. I know that may sound like an odd statement but couldn't they all have done it easily? So I could feel better about making my film? - Yes, I'm kidding. :) Of course the reality is that these interviewees talk of their struggles, their lucky breaks, the use of a connection or two. How something fell into someone's lap, how an investor walked through the door just at the right time, how they got that great shot, how they stretched that $5 into $10 or begged, borrowed or stole their way to a completed film. John Gaspard ends the book with a "Thirty Lessons" learned chapter where he explores the lessons he learned while interviewing these writers. This chapter is worth the price alone. The book is both fascinating and empowering. It makes me want to make my film even more so I can learn from their mistakes and, sadly, make my own. My only complaints about this book is that I would have liked two things: I would have liked a capsule description of each film. Since I was unfamiliar with 19(!) of them, that would have helped me understand a bit what the writer was talking about in terms of plot line or story instead of gleaning it from how they answered the questions. And, though Mr. Gaspard gives the reader a page of distributor and release year of all the films discussed, I would have liked more information such as how wide the release was, running time, how much the original budget was, how much the film actually cost and how much it made. Plus a little more on the writers themselves, other films they have written or works they have written would have been excellent. Ultimately this is a great book exploring the idea of the low-budget film world through the writers that created it! Everyone started somewhere, that somewhere is described here.