Eyes Everywhere

by Matthew Warner

Charlie Fields uncovers a conspiracy of historic proportions. A family friend heads a secret organization bent on controlling the world, or so it seems. Time runs out as Charlie learns the Gestapo is... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 1933293187
• ISBN13: 9781933293189
• Release Date: August 2006
• Publisher: Raw Dog Screaming Press
• Length: 240 Pages
• Weight: 1.13 lbs.
• Dimensions: 0.9" x 6.3" x 9.4"

Customer Reviews

Tear Jerker

I was ticked at myself after having read the back cover before diving into the novel itself. From the excerpts, the reader knows the main character is schizophrenic right from the beginning, which took some of the fun out of the first chapter or two. But now that all is said and done, I look back on this read and nod my head in approval. EYES EVERYWHERE follows Charlie, an employee in a prominent DC law firm, who after 9/11 gets assigned the duty of captain on the firm's evacuation team (in case of a terrorist threat). Already worried about losing his job as layoffs sweep the firm, Charlie one day makes a comment that is contrued as racist while in a business meeting. That day he is followed by a black man. Cameras are in his apartment. The Mexicans are consipiring against him. His wife is in on it... Matthew Warner's tale about Charlie's descent into paranoid schizophrenia is brilliantly executed. The writing is very tight. Don't worry, I did not spoil anything. Forget about genres, this is just great fiction... For a more in-depth review, see Insidious Reflections #8.

Insightful, terrifying portrait of schizophrenia

"I remember when I lost my mind ... Yeah, I was out of touch / But it wasn't because I didn't know enough / I just knew too much / Does that make me crazy? ... Probably." -- Gnarls Barkley, "Crazy" In just his second novel, author Matthew Warner has chosen to tackle a subject that most authors would not attempt until much later in their careers: the psychological downward spiral of his protagonist. It is not an easy topic; it requires a lot of research and good amount of natural insight and empathy. Luckily, Warner has shown an affinity for both in his previous works, making him the ideal person to write it. Eyes Everywhere is easily the novel of the year, and a lot of it is due to that perfect fusion of book and author. An offhand remark at a company meeting starts Charlie Fields, a thirty-year-old husband and father in a dead-end secretarial job, down the road that will eventually lead to his total undoing. Already in fear of being considered a candidate for "reduction in force" ("RIF. It was one letter removed from RIP."), Charlie's comment causes offense due to certain racial overtones, and at the end of the day, he notices someone is following him home -- a black man in a business suit. Soon, Charlie comes to believe that his wife is preparing to leave him for a Mexican and eventually becomes suspicious of all darker-skinned people. Things begin to spiral out of control as Charlie sees links where there are none, perceives threats from people in high places, and attempts to translate communications given via fast-food wrappers. Like his friend and mentor, Gary A. Braunbeck (who offers up a deft analysis of Eyes Everywhere in the Afterword), Matthew Warner does not shy away from genuine emotions -- he embraces them. His short story collection, Death Sentences: Tales of Punishment and Revenge, showcased this penchant in tales like "Middle Passage," "The Cave," and "A Second Chance." The results were uneven in those stories, but it was obvious that Warner's characters were important enough to him to make them feel real (a little too real sometimes), and that he would continue to pursue this to undoubtedly greater effect. Psychology has been a life-long interest of mine. I even have a degree in it (as much good as that's done me). But people fascinate me and I've been a "hobbyist," so to speak, for over twenty years, always on the lookout for books or movies that delve deeply into the human psyche, specifically its abnormalities. The best of these are those that take their subjects purely at face value, letting the audience draw its own conclusions. Two perfect examples of this are classics of the cinema directed by Roman Polanski: The Tenant and Repulsion. Matthew Warner follows this same tactic with Charlie Fields. His story is told in third person, but completely from Charlie's point of view, giving us only his perceptions, never the author's. Some authors would feel a need to intrude and make sure we know what is real and what is