The heart, writes Margaret Christakos, is 'a public organ of private damage.' The poems in Excessive Love Prostheses confess, rather than deride, the complexities of contemporary desire, describing a subject that is both public and private, physical and virtual. Excessive Love Prostheses takes the confessional lyric poem and runs it through Kathy Acker's Cuisinart. Christakos shapes a sensory surfeitry of pornography, cautionary nursery rhymes, mothering,...
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Poetry