This open access book explores the disciplinary, disciplined, and recent interdisciplinary sites and productions of ethnomusicology and queerness, arguing that both academic realms are founded upon a destructive masculinity--indissolubly linked to coloniality and epistemic hegemony--and marked by a monologic, ethnocentric silencing of embodied, same-sex desire. Ethnomusicology's fetishization of masculinizing fieldwork; queerness's functioning...