Essential Fantastic Four: Volume 1

by Stan Lee

These early classic Stan Lee/Jack Kirby adventures of Marvel's First Family - The Invisible Girl, the Human Torch, the Thing, and Mr. Fantastic - defined the Marvel Age of Comics! Collects Fantastic... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0785106669
• ISBN13: 9780785106661
• Release Date: December 1998
• Publisher: Marvel Comics Group
• Length: 528 Pages
• Weight: 1.35 lbs.
• Dimensions: 0.9" x 6.7" x 10.0"

Customer Reviews

A Fantastic Look Through Time

This book is an excellent collection of the earliest adventures of the Fantastic Four. Every reader, whether they are just discovering the FF or are a long time fan, will enjoy this book. Although the adventures are a bit campy, they accurately reflect the state of comic art and storytelling during the 1960s. Long time fans are likely to discover new facts about the team that are not well known. For example, Reed Richards fought in World War II and Susan Storm had not yet manifested her force field power during this early period. As expected, this book contains the origin story of the FF. Just as entertaining, however, are the origin and first appearances of such villains as the Mole Man, the Skrulls, and Dr. Doom. The Fantastic Four was also used by Marvel Comics as a venue to re-discover the Sub Mariner from the 1940s and `50s. In addition to the stories, this book provides a window into the past. Some of the dialogue and fashion would clearly be out of place today. For example, not too many teenagers, like Johnny Storm, would go on a date wearing a fedora. The only down side is the lack of color. The comics are printed in black and white. This shortcoming, however, is easily overlooked by the reader once they begin an adventure. Bottom line, this book is a great look through time at both the origin of the FF and the world of the 1960s. Flame On!

The humble beginnings of the World's Greatest Comic Book

From a historical standpoint the first twenty issues of "The Fantastic Four" are important because they were Stan Lee's first steps in creating the Marvel Universe. Before there was Spider-Man, the Avengers, the Incredible Hulk, and everybody else, there was the Thing, Mr. Fantastic, Human Torch, and Invisible Girl. I love how the cover of issue #1 proclaims that these four characters are "together for the first time in one mighty magazine," which is interesting since none of them had appeared individually in any magazine, monthly or otherwise (since Johnny Storm is not the original Human Torch). The whole point of "The Fantastic Four" was that Stan Lee was revitalizing the sorry state of superhero comic books in the early Sixties. While testing an experimental space craft Reed Richards, Ben Grimm, and Sue and Johnny Storm are exposed to a bombardment of mysterious cosmic rays. When they return to earth they discover that they have gained fantastic abilities, which they will use to fight evil. When compared to the competition at that particular point in time, these comics are pretty good, but I cannot help but compare them to the glory days of the Fantastic Four starting around year four when Galactus, the Silver Surfer, and the Inhumans first pop up. Lee's writing certainly improved over time, but not as much as Jack Kirby's artwork. Even within this collection, which covers the first twenty issues of "The Fantastic Four" along with the first annual, you can see a significant improvement in Kirby's artwork (just pay attention to how the Thing is drawn over this period), which I think goes beyond the work of Dick Ayers as the main inker on those later comics (Note: For FF#13 you have the rare combination of pencils by Kirby being inked by Steve Ditko).It is the character of the Thing that was the key to creating the most dysfunctional group of superheroes (before the X-Men reformed with Wolverine anyway). The pathos of a man turned into a monster, and being unaware of his fate unlike the Hulk, was another to overcome the elasticity of Mr. Fantastic, which is one of the lamest super powers, even if Reed Richards is a lot smarter than Plastic Man. Resurrecting the Human Torch as a hotheaded teenager was a good move, especially since it led to bringing back Namor the Sub-Mariner as well, but it was soon clear that Sue Storm's invisibility was no big deal and her powers were augmented with force fields. My memory of these early issues was that there were a lot of hokey villains, but in rereading these stories I am more impressed with the gallery of super villains Lee and Kirby created in these early years. Doctor Doom is, of course, the biggest and baddest of them all, and Lee returns to him and Namor repeatedly because they are clearly heads and shoulders about the others. The Super Skrull is a good second-level supervillian and I have to admit that the Miracle Man, the Red Ghost, the Impossible Man, the Molecule Man, the Mad Thinker an

The Birth of the Silver Age of Comics

Every few decades, a comic emerges which changes everything in the medium. Action Comics #1 with the emergence of Superman. Frank Miller's "Batman: The Dark Night Returns". And bisecting these two milestones? Fantastic Four #1, the comic which gave birth to the Silver Age. This legendary issue is included, along with the 19 issues of the title which followed it, and the 1st FF annual, in "Essential Fantastic Four vol. 1". Each issue is absolutely packed with some of the most innovative characters and writing ever seen in comics. Aside from the truly radical members of the FF (a superteam that bickers? This ain't the Justice League), readers are treated to the first appearances of the Sub-Mariner, the shapeshifting Skrulls, and Dr. Doom. This is a top-drawer collection which every comics fan should own.

Essential? You bet!

Both Marvel and DC Comics have been reprinting their classic tales, making them affordable and accessible to modern collectors, but Marvel deserves an extra kudos for their exceptional "Essentials" series which reprint entire runs of 20-or-so comics from Marvel's Silver Age in a black-and-white "phone book" format (no doubt inspired by Dave Sim's massive collections of "Cerebus" comics). How innovative are these first FF comics? Picture the early 1960s, where a superhero team comic meant the rather whitebread "Justice League of America" from DC...classic stories, of course, but somewhat lacking in scope and character development. Enter Stan Lee and Jack Kirby's first Marvel Comic: the heroes don't wear costumes (not until the third issue, at least), squabble and fight (not unlike a real family) and face truly hideous and grotesque monsters of true nightmare quality. Reading these stories I'm often surprised at the sheer amount of plot and action that Lee and Kirby manage to squeeze into a couple dozen pages for each story...although this is slightly before the incredibly innovative period of Kirby's blockbuster, knock-you-out layouts, there's still, for want of a better phrase, "never a dull moment." This book, and others created by Lee and Kirby and the other great artists of early Marvel, created comics that inspired a whole new wave in the industry. This isn't the single greatest Fantastic Four period--Kirby's knock-out run beginning around FF #45 and including the mind-blowing Galactus Trilogy is yet to come--but it's an absolute must-have for anyone who professes to love comics. Finally, *very* high praise for the Essentials series in and of itself: I've always wanted to read *all* these stories, not just the few that get often reprinted in other formats (FF #1, 5), and this is simply the best way to read a couple years worth of continuity at an exceptionally affordable price. Sure, these are reprinted in black and white rather than the original color, but that's a minor problem-Kirby's art is as dynamic and innovative even without colors. The "Essentials" series is a re-publishing program that is much needed, and I hope it continues (how about a collection of Ant-Man/Wasp stories? John Byrne's run on FF? Gulacy's Master of Kung Fu?). Although DC has made enormous strides in re-presenting their classic works for a modern audience in their Archives editions and the Millennium comic books, Marvel has shown that it can and will cover all ends of the market with comic book format reprints, color graphic novel compilations, their pricier color Masterworks collections, and these accessibly-priced and aptly-named Essentials. There's only one thing Marvel could do better: add a "created by Stan Lee and Jack Kirby" line to every Fantastic Four comic, giving homage and credit where credit's due to not only Stan the Man but the one and only King of Comics.

I loved The Essential Fantastic Four book.

My name is Joshua Doss I am 12 years old. I loved Stan Lee and Jack Kirby's Essential Fantastic Four book. Every night I would read their book. Before I read their book I had a 3rd grade reading level and I was in the 6th gread. Now that I have read it my reading level has gone back to normal. P.S. I can't wait for volume 2# to come out.