This work ventures to study Indian Art and Architecture with reference to, and in the context of, its theory which, though available to us in Sanskrit texts, is not generally studied and it is essentially a study of the Theory of SILPA (Indian Plastic Arts) from the Ancient to Medieval times. The first Chapter studies 'Mithuna' in the temple forum. Overwhelming textual prescriptions affirm that Devangana Mithuna sculptures both in Dance and Kama (Erotic)...