The Electra

by Euripides

Book Overview

Euripides' Electra is a play probably written in the mid 410s BC, likely before 413 BC. It is unclear whether it was first produced before or after Sophocles' version of the Electra story.

• Format: Paperback
• Language: English
• ISBN: 1533000743
• ISBN13: 9781533000743
• Release Date: April 2016
• Publisher: Createspace Independent Publishing Platform
• Length: 64 Pages
• Weight: 0.23 lbs.
• Dimensions: 0.1" x 6.0" x 9.0"

Customer Reviews

Euripides turns Electra into a creature of vengeance

The murder of Clytemnestra by her son Orestes is unique in Greek mythology because we have versions of the tale staged by all three of the Greek tragic poets. One of the things that makes this remarkable, especially given how few of the ancient plays have survived to the present day (think of what it would be like if Shakespeare's work was reduced to about five plays), is that after Aeschylus wrote his version for "Cheophoroe," the central member of the "Orestia" triptych, any one would want to give a different telling of the tale. I think this interpretation is supported by two key points: first, that both Sophocles and Euripides titled their plays "Electra," focusing on the daughter/sister of the two main characters, and, second, that both of these other versions avoid having the pivotal scene between Clytemnestra and Orestes that is the dramatic highpoint of the Aeschylus play. The Euripides version of "Electra" is certainly representative of his dramatic work overall in that it focuses more on the psychology and emotions of the characters rather than the philosophical or spiritual implications. The murder of Clytemnestra by her son is no longer another sordid chapter in the curse on the house of Atreus and the appearance of the Dioscuri as a deus ex machina stands in stark contrast to the rest of the "Orestia." Still, Euripides ends the play on themes of sorrow as both Orestes and Electra can only speak of their remorse over what has happened and say their pathetical farewells to one another. Having finally found each other after years of separation, they are again forced apart by fate. As the chorus says at the end: "The moral who can fare well, not broken by trouble met on the road, leads a most blessed life." There are those who characterize this "Electra" as being more of a melodrama than a traditional tragedy, and that is certainly a valid interpretation. The Euripides version is clearly the weakest of the three, but that is almost by default. Aeschylus is creating the greatest trilogy in Greek history and Sophocles focuses on an Electra who is debating whether or not the responsibility for avenging the death of her father means that that the obligation to slay Clytemnestra falls to her. For Euripides the key twist is that when Electra reached maturity Aegisthus, the lover of Clytemnestra, feared that the young girl would marry some powerful prince and seek vengeance for the murder of Agamemnon. Aegisthus seeks to solve this problem by marrying Electra off to a peasant, who knows he is unworthy of the honor and has never consummated the marriage. Some critics have made light of Clytemnestra's refusal to condone the execution of her daughter given the fact she murdered her husband. But given that the prime reason for Agamemnon's murder was his sanctioning the sacrifice of their oldest daughter Iphigenia, the queen's decision seems consistent to me. This also fits with the idea that Electra is indeed the central character of the drama,

Euripides' version of the revenge of Agamemnon's murder.

This play by Euripides is another retelling of the story of the two children of Agamemnon, Electra and her brother Orestes, and their revenge of their father's murder. However, they are less heroic and more realistic then the way they are portrayed by Aeschylus and Sophocles. Electra has been given as a wife to a peasant who, although he is poor, realizes he is beneath her in station and does not touch her. Electra is constantly bemoaning her fate and prays for the return of her brother. Orestes appears in disguise to learn all that is happening around Argos and what has become of his sister. Electra finally recognizes him and they plan the death of Aegisthus and of their mother, Clytemnestra. But, Orestes is reluctant to commit matricide. Nevertheless, Electra drives him to it, even though, at the crucial moment, she herself is unable to deliver the killing stroke. Interestingly, the one truly noble and honest character in the play is the peasant. Was Euripides making a social comment about the upper classes of Athens of his time?