Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation

by Lynne Truss

Book Overview

The spirited and scholarly #1 New York Times bestseller combines boisterous history with grammar how-to's to show how important punctuation is in our world--period.In Eats, Shoots & Leaves, former... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 1592402038
• Release Date: April 2006
• Publisher: Avery
• Length: 240 Pages
• Weight: 0.49 lbs.
• Dimensions: 7.3" x 0.7" x 5.0"

Customer Reviews

Great book but TINY TINY print--hard to read!

This is a charming book. The author deals with this otherwise dry material (punctuation!) in a smart and funny manner, with anecdotes and historical references. The problem has nothing to do with the material (which is brilliant), but the mechanics: The typeset is tiny, tiny, tiny. It is, in fact, the smallest print I've seen in a book, ever. I got eye strain reading it, even with my reading glasses perched at the tip of my nose. I recommend buying Eats, Shoots & Leaves in a bookstore, where one can examine the various editions and make sure to select one that is printed in a civilized type size.

Not only educational but really funny

Every single person should read this book. Yep, every single person needs a refresher course in grammar. Truss not only educates... but entertains.. she has a stellar sense of humor. Highly recommended.

Entertaining romp through English grammer, uh, grammar

I remember a long time ago seeing a headline in a paper that read "Milk Drinkers Turning to Powder." This is the kind of English that really sets off Lynne Truss. I saw an interview with her on television, and while she had a sense of humor, and that is apparent from the book, she also had a very serious side, and I was sure that for certain grammatical errors she would not hesitate to shoot and leave!The title of this book comes from the kind of problem that people can encounter in the difference between spoken language and written language. Being a fan of poetry, I am very aware of the difference between spoken words and written words on the page, and what a difference simple intonations and voice changes can make. Punctuation and spelling can make a big difference, too. Is it here, or hear? Here here! or Hear! Hear! There are lots of arguments for the need for correct grammar and punctuation, and there are lots of pieces in here that talk about the history and misuse in the past of punctuation in key times. This is a very British book in many senses, and some of the American rules of grammar are different, but it is still fun to read and see what happens with the differences. Truss has a dry wit and this comes through most of the time fairly well. There were times I did laugh quite a bit, and times I copied things down to email to friends. This is a fun book. You won't want to leave it behind, eating or shooting.

Is John Updike a Menace to Society?

Readers, check your reaction to the following sentence: Lynne Truss, an English grammarian is bloody fed up with sloppy punctuation. Does that sentence leave you feeling confused, irritated, or angry? Do you feel you have to second-guess the author of the sentence, forced to ascertain whether s/he was writing to Lynne Truss or about Ms. Truss? But that sort of thing is almost the norm these days, on both sides of the Atlantic. Of course, we Americans have been struggling for years with FRESH DONUT'S DAILY and Your Server: "MILLY" -- not to mention the archy-and-mehitabel school of e-mail that neither capitalizes nor punctuates and reading through this kind of sentence really gets confusing i think it does at least do you too? Turns out that even the British--including the elite "Oxbridge" inteligentsia--are wildly ignorant of punctuation's rules and standards. Lynne Truss, an English grammarian and author of EATS, SHOOTS & LEAVES, is bloody fed up with it! So she wrote this handy little book that is ever-so-correct but not condescending, sometimes savage but not silly, full of mission and totally without mush. Think of Truss as punctuation's own Miss Manners, a combination of leather and lace, with maybe a bit more emphasis on the leather. (She advocates forming possees to paint out incorrect apostrophes in movie placards.) But her examples of bad punctuation serve a purpose: bad punctuation distorts meaning. EATS, SHOOTS & LEAVES includes numerous hilarious backfires of punctuation -- statements and missives that use the exact same words but convey totally opposite messages due to inappropriate punctuation. Do commas go where they go for breathing, as the do-it-naturally school of non-grammar so many of us were exposed to would have it? Or were they for Medieval chanting or, more analytically, for grammar? Truss explains that it's a mish-mosh of all three, and proceeds to make useful sense of it all. Along the way she confesses she would have gladly borne the children of the 15th-Century Italian typographer who invented Italics and the forward-slash. With its blend of high dudgeon and helpfulness, Truss steers the reader through the shoals of possession and apostrophes, quotations (British use is a bit differerent from North American, but only a bit, and she notes the difference), the useful if forlorn semicolon, the mighty colon, the bold and (mea culpa) overused dash and other interrupters like parenthesees and commas. It's important to note that Truss, while something of a true believer, is a believer who lives in the 21st Century. She does not advocate turning back the clock to the 1906 version of Fowler's MODERN ENGLISH USAGE; she is not a snob; she does not overwhelm us with technical terms of grammar and punctuation for their own sake. Just good, common-sense English prescriptive lessons in grammar. People who know they don't know their stuff will learn the right stuff there. People who felt that "the rul

Incredible: An Entertaining Punctuation Manifesto

"If there is one lesson that is to be learned from this book, it is that there is never a dull moment in the world of punctuation." Perhaps that is hyperbole, but there is never a dull moment in _Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation_ (Gotham Books) by Lynne Truss. Surely the book will not be the sensation it was in Britain, but it is witty, informative, and entertaining; you can't ask for more from a punctuation manual. And if you do not yet think that punctuation is important, you will after you see all the misunderstandings a little comma can cause. Take the peculiar title, which is from a joke: A panda goes into a café, orders a sandwich, eats it, takes out a revolver, fires it into the air, and goes out. When the waiter calls to ask what is going on, the panda plunks a badly punctuated wildlife manual onto the table and growls: "Look me up." The waiter finds the entry: "PANDA. Large, black-and-white, bear-like mammal native to China. Eats, shoots and leaves." Oh, let's have one more. There was an American actor playing Duncan in _Macbeth_, listening with concern to the battle story of a wounded soldier, who cheerfully called out: "Go get him, surgeons!" Misplaced comma; it should of course be: "Go, get him surgeons!" Another story related here, a true one, shows that a comma can literally be a life-or-death matter.The book is zero tolerance indeed. Truss says it doesn't matter if you have a PhD and have read all of Henry James twice, "If you still persist in writing, 'Good food at it's best', you deserve ..." and she lists some ghastly punishments. Such militantism surely qualifies her for the Apostrophe Protection Society, a real organization that (along with Truss) is horrified by commercial signs that announce "Antique's" or "Apple's". The recent film _Two Weeks Notice_ gives her recurrent fits. She wants to know if they would have called it _One Weeks Notice_. She suggests that we enlist in the apostrophe war, arming ourselves with correction fluid, stickers to cover superfluous apostrophes, and markers with which to insert omitted ones. But best of all, she gives, simply and generously, the rules that will guide one in any apostrophic situation. Plus there is history. In Shakespeare's time, the apostrophe only indicated omitted letters, as it still does in "doesn't." Then in the 17th century printers put it in front of singular possessive "s," and in the 18th they put it after the plural possessive "s," and here we are.You can turn to this little volume for guidance on the dash, hyphen, colon, semicolon, and more. The rules are here. American readers should note that theirs is a reprint of the British edition, without changes to spelling or punctuation. Often Truss mentions the differences, but she would vehemently deny that this shows that punctuation rules are arbitrary. Punctuation "... is a system of printers' marks that has aided the clarity of the written word for the past half-