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Hardcover Dugan Under Ground Book

ISBN: 0805057412

ISBN13: 9780805057416

Dugan Under Ground

(Book #3 in the The Funny Papers Trilogy Series)

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Recommended

Format: Hardcover

Condition: Very Good

$5.39
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Book Overview

A fabulous, strange trip across a wildly changing North America, Dugan Under Ground is a rich, inventive tale about the suffocations of jealousy, the regrets that kill the spirit, and the mythic qualities of North American popular culture.

Customer Reviews

2 ratings

Almost Great

Usually the final book in a trilogy adds resonance to the entire series. In this case, readers may enjoy Dugan Under Ground better if they haven't yet read its predecessors--in particular, Derby Dugan's Depression Funnies, the second book in the series. Dugan Under Ground is a fun, vibrant romp, full of wonderful period detail. But the characters don't resonate the way characters in an exceptional tale do--or as they do in Derby Dugan's Depression Funnies. To put it another way: If you read Derby Dugan's Depression Funnies, you'll laugh and you'll cry. If you read Dugan Under Ground, you'll laugh. Which in and of itself isn't a terrible thing.

Comix Americanus from Walter Geebus to Roy Looby

'Dugan Under Ground' is a wonderful novel which focuses on the underground comix milieu of the late '60's and early '70's, but covers far more ground in times before and after. It begins with the story of Ed 'Candy' Biggs, his betrayal-ridden personal life, and his trajectory from desperation to success and failure in his career as the inheritor of a classic newspaper strip, 'Derby Dugan.'Through an odd sequence of events, Biggs takes on a young and brilliant protege, Roy Looby, a character very roughly based on R. Crumb. As Roy's sensibility and fame develop wildly, he's pursued by several fascinating characters, including his resentful and adoring brother who detests and delights in his role as the 'inker' of Roy's demented comix; an ineffectual and obsessive comix fan who becomes a financially hopeless publisher and quasi-academic promoter of comix-as-art; and a cynical hippie vixen whose identity shifts gears repeatedly throughout the chase. The novel itself becomes kaleidoscopic as it barrels on to its heartbreaking finish. 'DUG' will appeal especially to readers interested in the history of comics, of the underground scene in particular, to admirers of Crumb and of the Terry Zwigoff film on Crumb and his family (don't expect the Loobys to be just the same, though!) As a portrait of grand hopes and bitter disappointments in the America of the '50's, '60's and beyond, it stands beside works like 'Vineland' by Thomas Pynchon and 'Underworld' by Don DeLillo. I thought it was great!
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