Domination and the Arts of Resistance: Hidden Transcripts

by James C. Scott

Book Overview

"A splendid study, surely one of the most important that has appeared on the whole matter of power and resistance."--Natalie Zemon Davis

Confrontations between the powerless and powerful are laden with deception--the powerless feign deference and the powerful subtly assert their mastery. Peasants, serfs, untouchables, slaves, laborers, and prisoners are not free to speak their minds in the presence of power. These subordinate groups...

• Format: Paperback
• Language: English
• ISBN: 0300056699
• ISBN13: 9780300056693
• Release Date: July 1992
• Publisher: Yale University Press
• Length: 269 Pages
• Weight: 0.95 lbs.
• Dimensions: 0.8" x 6.1" x 9.3"

Customer Reviews

Serious, but accessible

I got "domination" for a class, which does not tend to bias me in favor of liking a book. However, I have tentatively enjoyed reading it. It is a serious, scholarly book, but the topic is engaging and the case studies and historical examples cited are always interesting. I think that the author supports his complex thesis very well, and I would recommend this book to people who want to read something serious about race and culture.

James C. Scott's Domination and the Arts of Resistance

Spanning the entire globe and covering over 1000 years of human history, James C. Scott's Domination and the Arts of Resistance is an intellectual odyssey into the relatively new field of subaltern studies. It is also an intellectual oasis for historians and general readers of history who have become disillusioned with the traditional historiography of power relations and resistance among dominate groups and subordinate groups. Indeed, Scott's use of folklore, speeches, ballads, literary theory,linguistics, and public ceremonies, e.g., parades and political rallies, greatly adds to the works of other innovative historians of culture, domination, and resistance, e.g., Scott gives the works of Michel Focault, Hayden White, Dominick LaCapra, and Natalie Zemon Davis, to name a few, new perspectives for cultural analysis. Perhaps of greater importance is Scott's examination of what he describes as "public" and "private" transcripts,i.e., dialogue among and between the dominate and subordinate groups. Furthermore, Scott puts great emphasis on the "infrastructure" of power relationships among the respective inner "communities" of theweak and the strong. In short, what goes on behind the scenes, away from the public eye, reveals the true nature of what Scott labels as "masks of power", which are, in effect, merely public performances designed to placate both dominate and subordinate groups. This absorbing work will certainly be influential for future generations of historians, anthroplogists, political scientists, and sociologists.

an epiphany on every page

"When the great lord passes the wise peasant bows deeply and silently farts." This book marks one of those moments for me when rethink just about everything...from elusidating certain truisms to hammering out theories and ideas that ring remarkably true, Scott's book is challenging, powerful, and engaging. Reading this book is like sitting in his office conversing...I find myself exclaiming and agreeing aloud. I really enjoy his comments on gender; a concept I have felt comfortable with for years, and suddenly I feel as though he has just clarified it for me. I have been doing double-takes as random comments about women in my primary sources (about fickleness of emotion) which I thought I could chalk up to typical misogyny begin to catagorize themselves in my mind as the effects of attempting to live within hidden and public transcripts. Very readable, interesting, engaging...in a word, fabulous.