When a novelist writes from the perspective of an omniscient narrator, it at least creates the illusion that we're hearing a full and fair version of events. But it is a peculiarity of first person narrative that some of the very best and some of the very worst novels which use the technique leave us wondering what the story might sound like from the perspective of a different character. We all assume that Sam Spade and...
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European students of literature usually concentrate on writers from their own continent, with occasional nods across the Atlantic to North America. Americans have a somewhat more respectful attitude to Europe, but that's all. Neither take the rest of the world all that seriously and that's a big mistake. Among the national literatures most consistently ignored, none has more to offer than Brazil's. Four writers stand out...
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Machado de Assis is probably one of the most underrated authors literature departments around the US-and other countries-have (not) encountered. He is an absolute requirement for anyone who wishes to consider him/herself well-read. Called "Othello of the Southern Cross" by Helen Caldwell (who wrote the excellent The Brazilian Othello of Machado de Assis-A Study of Dom Casmurro, Berkeley:University of California Press,...
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If you think of it, for the first three quarters of this superb novel nothing happens. In fact the one thing that could happen, doesn't. Yet paced with the sure cadence of a machine gun, short chapter after perfectly sized short chapter, a tension is built up that turns this reconstruction of the narrator's thoughts and feelings of long ago into a page turner. Even descriptions are refracted through the narrator's thoughts...
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When I first read this book, back in 1987, I was about to marry the girl who had lived next door ever since I was 10. I instantly knew the book would be a lifelong favorite because of the wonderful, simple, and short descriptions of childhood love in one of the early chapters. The question of unfaithfulness Machado created in my mind was only a scholarly one, it did not touch me as emotionally as the passages of childhood...
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