This volume returns to Mies' New National Gallery in Berlin. The first volume included a short, introductory section on the NNG, but it merely skimmed the surface of what was in truth an intense preoccupation with that building. DWA were fascinated by the NNG because it seemed to be Mies' most convincing demonstration of what it might mean to set the grid free. For them, the NNG had the same unique aura as Malevich's painting of the Black Square...
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Architecture