Divine Mirrors: The Virgin Mary in the Visual Arts

by Robert A. Orsi and Melissa R. Katz

Book Overview

Through a unique and stunning collection of paintings, sculpture, rare books, and works on paper, Divine Mirrors examines the complex relationship between sacred imagery and secular identity in the art of the Madonna.

This magnificent work--born from a multi-year project that included a museum exhibition, scholarly symposium, and reinstallation of a segment of the permanent collection of the Davis Museum and Cultural Center at Wellesley College--features...

• Format: Paperback
• Language: English
• ISBN: 0195145585
• ISBN13: 9780195145588
• Release Date: July 2001
• Publisher: Oxford University Press, USA
• Length: 320 Pages
• Weight: 2.80 lbs.
• Dimensions: 0.8" x 8.5" x 11.0"

Customer Reviews

Clear, assessible, and rich

I truly enjoyed this tour through Wellesley's collection of Marian art. The essays are clear, accessible and thought-provoking. Melissa Katz gives an accurate and broad summary of Christian history, with a special focus on the development and uses of art as well as the development of the Marian cultus. Her introduction is thorough, presuming little previous knowledge of Christian history. Orsi's essay is consise, thought-provoking, and helpful. The images are diverse and beautifully presented, ranging from ancient to (some) modern images of Mary as well as some other Western Christian subjects. I enjoyed this book enough to purchase a copy.

An excellent overview

For me the real beauty of this book was not the illustrated catalogue of images in the Wellesley College collection, it was the excellent essay by Melissa Katz. Robert Orsi's essay was superb as usual, but rather short, and the other essays are so short (2 pages each) as to be almost unmentionable. Katz on the other hand takes her readers on a historical tour of Marian imagery that is also thematically related to the hours of her devotion. In this way, her essay is not only an overview of Marian imagery, but it is also an overview of the history of the Roman Catholic church, an overview of Marian devotional practices, and the social forces in Europe which shaped these two phenomena. My only criticism of her essay, which might be more accurately a criticism of the Wellesley College collection, is that there is very little information on Marian imagery and devotion outside of Europe.