Long considered an unpolished gem of film noir, the private treasure of film
buffs, cinephiles and critics, Edgar G. Ulmer's Detour (1945) has recently earned
a new wave of recognition. In the words of film critic David Thomson, it is
simply 'beyond remarkable.' The only B-picture to make it into the National
Film Registry of the Library of Congress, Detour has outrun its fate as the
bastard child of one of Hollywood's lowliest...
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