For his installation Terminus, the British artist Darren Almond relocates 14 socialist-era bus stops from the Polish town of Oswiecim to a gallery space in Berlin, activating a force field between the Auschwitz concentration camp, everyday life in Oswiecim and the way we experience historical proximity or distance. As Julian Heynen writes in his analysis of Terminus: "What we see with our own eyes of the reality of Oswiecim, the bus...