This book explores the interconnections of Dante's Divine Comedy and four modern painters: Nattini, Rauschenberg, Dalmodern painters: Nattini, Rauschenberg, Dal , and Phillipps. It argues for Dante's painterly vision, and in this context establishes the medieval poet as a pre-Renaissance presence, pointing to his Classical, naturalistic manner of seeing, among other things, the human figure. His optic, Barricelli maintains, is so forceful that...
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