I'm interested in using the "real world" as a material and a force within my process. I like how these materials take some control away from me, allowing for a more uncertain future and yet a more finished piece. These materials come with a history, not one I necessarily know, but a history for sure. There is an infinity in "real-world objects" that, no matter how much I try, I couldn't paint or sculpt into being. --Dan Colen This visually...