Creating Country Music: Fabricating Authenticity

by Richard A. Peterson

Book Overview

In Creating Country Music, Richard Peterson traces the development of country music and its institutionalization from Fiddlin' John Carson's pioneering recordings in Atlanta in 1923 to the posthumous success of Hank Williams. Peterson captures the free-wheeling entrepreneurial spirit of the era, detailing the activities of the key promoters who sculpted the emerging country music scene. More than just a history of the music and its performers,...

• Format: Paperback
• Language: English
• ISBN: 0226662853
• ISBN13: 9780226662855
• Release Date: December 1999
• Publisher: University of Chicago Press
• Length: 320 Pages
• Weight: 1.35 lbs.
• Dimensions: 0.8" x 6.2" x 9.3"

Customer Reviews

A must read!!!

Unlike reviewer "A Customer", I do score books and give this one an unreserved 5 stars! Fans of old time, country, and bluegrass music are prone to spent hours on end discussing what is "authentic". Petersen argues convincingly, in an engaging style rare for academic authors, that much of the argument is about artifice(*), that much of what appears to be authentic was actually invented to meet the needs of what was to become a huge commercial industry. Those who care about the origins of old time, bluegrass, and country music will find this a stimulating read. They may not agree with it, but will find it fascinating and thought provoking. They won't be able to think about the music the same way again. (*) Acknowledgment: I gave a copy of this book to a friend who is deeply knowledgeable about old time and early country and bluegrass music. Without having read the book, his wife looked at the cover and said succinctly, "It discusses the artifice of country music." So, I credit *her* with the perfect one word summary of the book!

The sometimes surprising origins of "country".

The "authentic" in country music is not as easily defined as might be thought. Peterson traces its roots from the early "hillbilly" days on the new medium of radio to the death of Hank Williams in 1953, noting along the way the contributions of promoters, performers, and fans in continuously re-defining the genre to adapt to changing tastes and circumstances. Many readers will be looking for the early histories of the old time performers, and they will not be disappointed. They may be surprised at the professionalism that lay beneath rustic exteriors, and the degree of conscious attention to "signifiers of authenticity" by their favorite artist. (The "score" rating is an ineradicable feature of the page. This reviewer does not 'score" books.)