Starting with the premise that American Indians have been colonized, Horne outlines the dangers of colonial mimicry. She proposes a theory of subversive mimicry through which writers can use the language of the colonial power to subvert it and inscribe diverse First Nations voices. Drawing on select works by Thomas King, Beatrice Culleton, Ruby Slipperjack, Jeannette Armstrong, Lee Maracle, and Tomson Highway, the study also elucidates decolonizing...
Related Subjects
American Literature Criticism & Theory Cultural Education & Reference English as a Second Language Foreign Languages History History & Criticism Humanities Literary Criticism Literary Criticism & Collections Literature Modern (16th-21st Centuries) Native American Social Science Social Sciences