Closing Time

by Jim Fusilli

Book Overview

In one brutal moment, Terry Orr's life changed forever. His wife and son were murdered, leaving Terry alone to raise his twelve-year-old daughter Bella. The killer is still out there, roaming the... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0399147934
• ISBN13: 9780399147937
• Release Date: September 2001
• Publisher: Putnam Adult
• Length: 274 Pages
• Weight: 1.15 lbs.
• Dimensions: 1.0" x 6.4" x 9.5"
• Age Range: 18 years and up
• Grade Range: Grade 12 and higher

Customer Reviews

Orr begins with style in "Closing Time"

One of the fun things about reviewing (and no, it's not the money) is finding new authors and series that one might not have known about otherwise. I was recently sent the forth book in this series, "Hard, Hard City" by Jim Fusilli for an upcoming review at another site. Having read and enjoyed "Hard, Hard City" so much, it seemed an excellent idea to look for the rest of the series. For once, my local library had them all. The series opens with "Closing Time" and it is in this book we meet many of the principal characters. Terry Orr is mourning the violent passing of his wife Marina and their baby boy as well as dealing with thoughts of vengeance and retaliation against the man he believes is responsible. Since the police have been unable to help, Terry has put his successful writing career on the backburner and is aggressively learning how to be a private investigator. He believes by doing so he can achieve his goal of apprehending the man responsible for the virtual destruction of his family. Some would say he also put on the backburner his beautiful 12-year-old daughter, Gabriella (affectionately nicknamed "Bella"), but he would strongly disagree. He would argue that he is dealing with things as best as he can. That is all he can do, day-to-day, as he adjusts but he sees Marina and the baby symbolically in everything around him. He certainly does when he sees Judith Henley Harper and their chance meeting on a New York City street is another dig into his soul. Harper used to be his wife's agent as Marina painted beautiful pictures that sold and sold very well. Thanks to her paintings and Terry's own book sales, money still isn't an issue in their home. The last thing he wants to do is to go to the old art gallery as he will be forced to confront memories of happier times and the sadness of today. But that is exactly what Harper wants Terry and Bella to do, as there will be a showing of a new artist in a few days. Bella who has been after her father to write again, to get out and live again, thinks it is a wonderful idea. Before long, commitments are made and they go to the showing. Which almost proves fatal as a bomb explodes during the show seriously injuring Harper who is saved only by Terry's quick thinking in the aftermath. Harper unknowingly becomes a client for Terry as he launches a personal investigation into who did it and why. He also takes on another client, this time in the form of an elderly dead man, when he launches an investigation into the murder of Cabdriver Aubrey Brown. Like the Harper case, it became personal for entirely different reasons after finding the man dead in his livery cab. As he works two very divergent and difficult cases, he begins to see commonalities in both as well as links to himself while dealing with the challenges of moving on and being a good father. This first novel lays an extensive foundation of the series with the introduction of so many of the continuing secondary characters. Told exclusively

Extraordinary Debut

In reviews of his new book Fusilli has been compared with Robert Parker, Elmore Leonard and James Lee Burke, so he would not need me to defend him. But one of the reviews of Closing Time is so unfair that I just felt I had to speak my mind. This reviewer criticizes Fusilli's dialogue. I totally, totally disagree. I think it is so authentic. When Terry Orr is in a calm mood or when he is thinking about his wife he speaks like an educated man. When he loses his temper or is tired he talks like a street punk. (I think this would be a clue to his upbringing.) This is explained on the third page of the book. Also I love the music because Terry and his daughter can't even agree on that! (Terry 's music is sad. But Bella is trying to be happy. But why does she like old rock and roll?)I encourage people to try this book. It's sad, or I would say melancholy but it feels just like real life. I would call it one of my favorite detective books, period. Fusilli is going places with this series!!

Beautiful New York

Got this book as gift, probably because I live in NYC (Chelsea)and live for rock (the writer is a music critic.) The city is so alive in this book, which is part thriller, part love/ghost story. The daughter is fantastic -- so real. Anybody who has a child will think twice about how they are raising him or her after reading this mystery. Long live Terry Orr! I hope he finds happiness.

Closing Time Wonderfully Intriguing!!

This first novel by Jim Fusilli is riveting all the way. The characters of Terry Orr and his daughter Bella are totally human and riveting in all aspects. I don't want to give away the ingenious plot, but it'll keep you glued to this book!This is a great read!No doubt about it ! The cliche of Run, don't walk to your nearest bookstore has never been more applicable. In a word, terrific!

Great New York atmosphere - gritty, foul and charming

An incredible portrait of contemporary Manhattan is the setting for this modern Noir debut. The novel's New York atmosphere -- reeking, overwhelming, charming, quaint and foul -- makes an unforgettable location for a thriller. Jim Fusilli's got New York down. Following Terry Orr from the book's opening death scene as a cabdriver is found slain in the city's downtown meatpacking district, a reader feels compelled to stop, look around and sniff. You're in New York and Fusilli's New York grabs you and forces you to pay attention.Terry is a man haunted by an act of violence that took his wife and infant son. She was a beautiful, Italian artist and with her passing, Terry pours his love into his twelve-year-old daughter Bella. They do cool father-daughter things like go to rock concerts and gallery openings. After the cabdriver's death, Terry finds himself witnessing other seemingly isolated events including an explosion at a gallery that once displayed his late wife's work. He's on his way, honing the PI trade that he's adopted to rid himself of his demons. Terry tends to leave Bella with her Nanny as he moves from one part of Manhattan to another, searching for the people he's lost, but the daughter who loves him may quite possibly be his best hope for survival.The gritty pulse of the city comes alive with scene after scene like a pick-up basketball game in a downtown "cage" court where perspiration from buffed basketball bodies splashes off the page. Terry studied Turn of the Century New York at St. Johns University and we're with him as he admires a converted bank building in Harlem or the newel post of a Brownstone. With a keen eye, ear and nose for modern New York, Jim Fusilli is a new mystery writer to watch.