Close Reading: Chuck Close and the Artist Portrait

by Martin Friedman

Chuck Close has pioneered ideas of scale, form, and colour through the theme of portraiture, a genre that he has fundamentally redefined. Although Close has painted himself far more often than any of... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0810959208
• ISBN13: 9780810959200
• Release Date: November 2005
• Publisher: Harry N. Abrams
• Length: 344 Pages
• Weight: 3.50 lbs.
• Dimensions: 1.5" x 7.8" x 10.3"
• Age Range: 13 years and up
• Grade Range: Grade 8 to Postsecondary

Customer Reviews

An Insightful, Warm Homage to Chuck Close: The Man and the Artist

Martin Friedman has written and composed a book about his friend and honored colleague Chuck Close that reads as a fine biography. Friedman, previously with the highly regarded Walker Art Center and now an important art historian and curator for other museums, began his 'conversations' with Chuck Close in 1969 and grew into a close personal as well as professional relationship with the artist and this relationship is evident in the quietly detailed information about Close's well known bout with paralysis and subsequent recovery to the point of continuing to be able to paint. The quality of friendship is palpable. But Friedman does not limit his writing to simply the personal issues that make Chuck Close a hero in the realm of overcoming tragic blows. This book, better than any of the other many volumes on this innovative artist, provides solid information on the development of Close's technique of producing vast canvases out of pixilated portions, explaining in fine detail how he approaches the portrait from inception through painstaking process, to completed work. No one has explained and illustrated it better. Once Friedman has shown us process he then shares some of Close's important portraits of fellow artists such as Francesco Clemente and Cindy Sherman and accompanies these experiences with valuable illustrations of the works in addition to Friedman's own conversations with each of the artist models in a way that only a man who has the depth in contemporary art that Friedman can make informational and rational! For this reader the most satisfying portion of this superb book is Friedman's discussion of the Self Portraits of Chuck Close, works that provided significant bridges between his struggle against physical challenge and emotional recovery. It is not only insightful psychologically; it is a true homage to a contemporary hero. Throughout the book the pages are filled with copious excellent reproductions of the materials discussed. Highly Recommended on many levels. Grady Harp, November 05