Classics for Pleasure

by Michael Dirda

Book Overview

In these essays, Dirda introduces nearly 90 of the world's most entertaining books. Writing with affection and authority, he covers masterpieces of fantasy and science fiction, horror and adventure,... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0151012512
• ISBN13: 9780151012510
• Release Date: January 2007
• Publisher: Houghton Mifflin
• Length: 341 Pages
• Weight: 1.39 lbs.
• Dimensions: 1.3" x 6.4" x 9.3"

Customer Reviews

An Astonishing book

This is a book that will make you wonder what you've been doing all your life, even if you call yourself a "Book Person." Michael Dirda, reviewer for the Washington Post, must be the best-read author in our times. Here, he gives you a collection of brief encomia, summaries of books you've heard about but never read, books that might be called 'second-tier," not quite Shakespeare, Tolstoy, Dante, Sophocles but nevertheless worth our attention. The only negative is that it has totally disrupted my late-life reading plan, so that I've ordered, read, or plan to read Sappho, Perelman, Oblomov, Lucian, Gaskell, and numerous others that I have neglected. This is a guide-book of sorts that,if you have the courage, you should have in a prominent place on your bookshelf.

Warning: reading this will make you acquire more books!

Full disclosure: This book has made me a fan of Michael Dirda. He's smart, witty (but not obnoxiously so), extravagantly well-read, and writes lucidly and entertainingly, without condescension. Simply put, he's charming. You couldn't ask for a better guide to help you navigate the classics. The list of classics discussed in this book is not your parent's list. More specifically, it is not Clifton Fadiman's list. In his introduction, Dirda pays homage to Fadiman's "Lifetime Reading Plan", which he stumbled on as a teenager, and which guided his own reading path. He goes on to explain that "Classics for Pleasure" deliberately ignores most of the authors discussed by Fadiman; as these are likely to be familiar to most readers already, "it seemed more useful - and fun - to point readers to new authors and less obvious classics". In approximately 90 essays, Dirda covers a considerable amount of ground. He groups his authors into eleven categories: Playful Imaginations Heroes Love's Mysteries Words from the Wise Everyday Magic Lives of Consequence The Dark Side Traveler's Tales The Way We Live Now Realms of Adventure Encyclopedic Visions Homer, Virgil, Chaucer, Shakespeare, Milton, Cervantes, Goethe, Austen, Dickens, Tolstoy, Dostoyevsky, Proust, Mann, and Joyce are all missing from this book. This allows Dirda to cast a broader net, including such authors as Diderot, Jaroslav Hasek, Zola, Ernst Junger, Cavafy, Spinoza, E. Nesbit, Cardano, Frederick Douglass, Sheridan LeFanu, H.P. Lovecraft, J.K. Huysmans, Elizabeth Gaskell, Zora Neale Hurston, H. Rider Haggard, G.K. Chesterton, Frazer, Malraux, Ovid, Petronius, and Philip K. Dick. The complete list may be found in the Table of Contents: Classics for Pleasure I can't really do justice to the legerdemain that Dirda exhibits in almost every essay in the book - the way he gives you just enough background information to pique your interest, picks out just the detail from a book, or the author's life, to get you hooked, gets in a few key insights, then exits elegantly stage right, with exactly the right parting remark that seals the deal. Even if you had no interest at all in an author's work before reading what Dirda has to say, by the time he's done, you are likely at least to want to give it a try. The man is a silver-tongued charmer, I tell you. And I mean that in the best possible way. This is a terrific book to help expand your reading horizons.

An exuberant exploration of neglected classics

So infectious is Dirda's delight in the passion for living that goes into a good book that I found myself eager to read all his recommendations - including those authors I have already read and disliked for one (obviously inadequate) reason or another. Stunningly well read, Dirda appreciates a well-turned phrase, an individual style, a keen wit, or a powerful intellect. He illuminates his choices with quotes, artfully tantalizing plot summaries and biographical snippets. Story is key. "Nearly all the works covered tell great stories, whether these are fictional, historical or biographical." What isn't here is The Canon. No Shakespeare, Homer, Dickens or Jane Austen. They can be found elsewhere, particularly in John S. Major's revised edition of Dirda's childhood inspiration, Clifton Fadiman's "The Lifetime Reading Plan." Dirda avoids the obvious masters to focus on "several key authors passed over by Fadiman and Major, many important writers of what one might call the popular imagination, and a few seemingly minor figures who deserve to be better known." So, from Sappho to Agatha Christie, Thomas More to Jules Verne, "Beowulf" to "The Maltese Falcon," Dirda extols the insights and idiosyncrasies of a broad range of talents and niches. His essays are personal, witty and brief - he covers almost 90 books in little more than 300 pages and readers will almost always long for more. He divides his book into 11 thematic sections, i.e., Words from the Wise; Traveler's Tales; Realms of Adventure, and chooses seven to 10 authors for each. Most are at least familiar, but a few are obscure (at least to me). The 16th century astrologer and thorough autobiographer, for instance, Girolamo Cardano, appears wildly entertaining and the Scotsman William Roughead spent much of his life attending murder trials and writing about the "bold artists" whose common characteristic was self-conceit. A Pulitzer Prize-winning book critic for "The Washington Post," Dirda clearly had a lot of fun writing this concise, exuberant, and exquisitely organized book. Readers will be tempted to read, or re-read, every one of his selections.

A Classical Picaresque

Meandering (at a delicious, leisurely pace) through Michael Dirda's CLASSICS FOR PLEASURE, one feels as though he is riding shotgun through a world of both well-known and unknown wonders with an expert guide. And though Michael Kinsley, in his blurb, writes, "Michael Dirda is the best-read person in America. But he doesn't rub it in," he forgets to add this: Dirda seems to fervently hope you will not only appreciate his literary expertise, but will also rise to meet it. His voice is that generous and unpretentious. Dirda divides his mostly 2-4 page descriptions of classics you should read into these novel categories: Playful Imaginations, Heroes of Their Time, Love's Mysteries, Words from the Wise, Everyday Magic, Lives of Consequence, The Dark Side, Traveler's Tales, The Way We Live Now, Realms of Adventure, and Encyclopedic Visions. Those titles alone are like browsing colorful glossies at the travel agency. You can't wait to jump in. In Realms of Adventure, Dirda shows his range of tastes, including writers as varied as Rudyard Kipling and Dashiell Hammett. In reviewing H. Rider Haggard's KING SOLOMON'S MINES, Dirda shares a typically fascinating piece of trivia: "He [Haggard] had reportedly boasted that he could write a better novel than Robert Louis Stevenson's TREASURE ISLAND. His brother challenged him to prove it, and KING SOLOMON'S MINES was the result." At the end of the essay on Haggard, Dirda plays coy: "Is it better than TREASURE ISLAND? As a boy I thought so, but happily there's no need to choose between them." Nevertheless, Dirda's job is done. The less well-known H. Rider Haggard's two books, KING SOLOMON'S MINES and SHE are added to the reader's (THIS reader's, anyway) already listing "To-Be-Read" pile. Which brings me to this: Bibliophile's beware. Dirda's beguilingly delightful insights into the works of some 88 authors will literally charm you onto turf where angels formerly feared to tread ("angels" being your former reading self). In the section Encyclopedic Visions, he even makes Edward Gibbon's HISTORY OF THE DECLINE AND FALL OF THE ROMAN EMPIRE sound tempting. Not that I'm going to go there anytime soon. First there are too many formerly unknown or forgotten shorter classics I want to visit: Jean Toomer's CANE, Edward Gorey's AMPHIGOREY, Lucian's THE TRUE HISTORY, and E.T.A. Hoffman's short stories, for starters. Bottom line? This is a great resource to own for those of us who love to live by the oft-repeated words, "So many books, so little time." It's a problem we not only can, but love to, live with...

Both high school and college-level holdings will find it revealing.

To many the idea of reading the classics for pleasure and as leisure choice may seem incongruous, but CLASSICS FOR PLEASURE offers a rebuttal to this notion, arguing that classics are so because people have found they withstand the tests of time. Essays from a Pulitzer prize-winning author introduce nearly ninety selected world classics from horror and adventure to children's literature and poetry, grouping them thematically and reviewing the works that have influenced literary and social traditions for generations. Both high school and college-level holdings will find it revealing.