Civilizing Rituals: Inside Public Art Museums (Re Visions: Critical Studies in the History and Theory of Art)

by Carol Duncan

Book Overview

Illustrated with over fifty photos, Civilizing Rituals merges contemporary debates with lively discussion and explores central issues involved in the making and displaying of art as industry and how... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0415070120
• ISBN13: 9780415070126
• Release Date: May 1995
• Publisher: Routledge
• Length: 192 Pages
• Weight: 0.89 lbs.
• Dimensions: 9.2" x 0.4" x 6.1"

Customer Reviews

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Informative, Easy To Read

Dr. Duncan's book was required reading in my undergraduate studies. She writes from two angles - first, being the traditional fine arts view, and second, a sociological view. Art is not created in a vacuum and is directly affected by the society it lives in. There is a value to looking at art from this combined point of view. You have a clear picture why some art is considered valuable, while some is not.Carol Duncan's book delves into the reasons why we have art museums and then focusses in on some notable museums of today. The small book is an easy and quick read. However, its relative ease and small size does not mean it does not inform. It is well researched and well edited. It is short, sweet and to the point. Too bad more art history books are not like that.

Informative and Easy to Read

Dr. Duncan's books discusses the history of art museums and focusses in on some notable, present day museums. Her approach combines the traditional art historian view with a sociological view. Art is not created in a vacuum and reflects the society it lives within. Duncan's approach gives us insight into why some artwork is accepted while other artwork is not.This book was required reading in my undergraduate studies. It is one of the few I choose to have in my personal library as well.Carol Duncan's book is small in size and easy to read. However, just because of its ease and size, don't mistake its value to art history. It is well researched and well edited. It is short, sweet and to the point. Too bad other art history books cannot be like that.

Covering a breadth of subject matter

This book was mandatory reading for a university art history class. As far as required readings go, it was easily comprehensible to a general audience. The only flaw was that at first glance it appeals to an art-minded audience. Yet then it actually converses in the sociological jargon, which could put off some readers.