Chicago: City on the Make: 50th Anniversary Edition, Newly Annotated

by Nelson Algren

Book Overview

Ernest Hemingway once said of Nelson Algren's writing that "you should not read it if you cannot take a punch." The prose poem, Chicago: City on the Make, filled with language that swings and jabs and stuns, lives up to those words. This 50th anniversary edition is newly annotated with explanations for everything from slang to Chicagoans, famous and obscure, to what the Black Sox scandal was and why it mattered. More accessible than ever, this...

• Format: Paperback
• Language: English
• ISBN: 0226013855
• ISBN13: 9780226013855
• Release Date: September 2001
• Publisher: University of Chicago Press
• Length: 135 Pages
• Weight: 0.46 lbs.
• Dimensions: 0.3" x 5.5" x 8.0"

Customer Reviews

Used to be a Writers Town & Always been a Fighters Town

Algren breaks down Chicago in a real way. Written in 1951 the book was banned in Chicago originally, even though it's really a lovesong to the city. Algen celebrates the gamblers, grifters, sceneshifters, writers & fighters. The book was also an answer to Carl Sandburg's CHICAGO poem as well. The result is an 80 page prose poem in 7 chapters. This is a brilliant short book.

Looking Back With Anger

This is a magnificent prose poem-eulogy even- by Nelson Algren to his city. He takes you through all the characters and diverse cultures and corruptions that ingrained the Chicago he grew up in and are either being erased from the image the commercial big guns want to promote,or have just fallen by the wayside. There's a lot of visceral anger coming through in this book, and it is significant that Algren wrote it during the odious McCarthy anti Communist witch trails that was stiffling the freedoms of speech Algren so valued (he dumped his communist party interests as soon as the lack of free thought became obvious to him-now 'free' society was doing the same!)and distorting and promoting a mythical America that just didn't exist outside of a Disney film! The afterword and annotations in the 50th anniversary edition are vital to get the maximum from this book. Algren re articulates what his views are, and -to my mind-makes a postumous apology to his friend Richard Wright who he slammed for leaving Chicago for Paris and 'not sticking it out'. What could one black man who had suffered a life time of rejection and abuse do but say he'd had enough. I liked Algren the better for this acknowledgement.

Marvelous prose paean for the city by the lake

Although I have lived in Chicago for many years now, I am not a native Chicagoan, and I have to say that the attitudes and visions of Chicago that one finds in Nelson Algren's are not held by most of the people I have gotten to know well in Chicago. But, then, most of the people I know are also not native Chicagoans. The swagger, the love-hate, the cynicism, and the love and civic pride that manage to emerge despite the cynical pessimism are very definitely found in many of those I have come to know who were born and raised in the city.Nelson Algren's Chicago was one that was more strictly American than it is today, less international, more Midwestern, more radical, less conventional. It is a Chicago that in many ways no longer exists. This can be felt in the book's narrative voice. Algren writes in a prose that sounds like Carl Sandburg drenched in Baudelaire, and the various sections of the book sound more than anything like the kind of stuff that Baudelaire would have written had he strolled the streets of Chicago rather than Paris. The prose is always unique, frequently beautiful, oftentimes stunning. There are definitely times that it will be all but impenetrable to someone not well schooled in Chicago's geography and its history. If one really wanted to get all the references and historical citations, one should consider reading Donald Miller's CITY OF THE CENTURY, which will clue one in on most of the 19th century and more obscure references.But in a sense, being able to identify all the names and places isn't all that crucial. The heart of the book is intelligible regardless. An essential literary work about one of the world's great cities, by one of its great writers.

Gorgeous - but WARNING: Prose Poem

The city of big shoulders is my home, so perhaps I am too biased to write an objective review. In my opinion, however, I think this is one of the most gorgeous pieces of literature ever written.I saw this performed live on the rooftop of a South Michigan Ave loft as the sun set over the west side and is started to rain. The little intertwined stories and metaphors and moments of beauty make the book a read that tastes tremendous on your tongue.THE WARNING: yes, here is is. This is a prose poem. It's not a collection of short stories or a novel. It reads quite easily, but if you are turned off by that sort of thing, skip this book. There are moments of slightly inaccessible, albeit wonderful, language and it helps to know your history..That said, if you love Chicago as I do, you will love Algren's City on the Make...

Chicago, warts and all

This is the book that the Chicago Chamber of Commerce didn't want the world to see. Instead of pumping up the tourism and real estate industries with promotional-pamphlet blather, Algren's essay presents the real history and state of Chicago: the back alleys, the dispossessed, the swindlers dressed up in their Prarie Avenue finery, the kill-or-be-killed ethos of this cutthroat "trader's town." Seldom has indignation been so lyrical.