Check It While I Wreck It: Black Womanhood, Hip-Hop Culture, and the Public Sphere

by Gwendolyn D. Pough

Book Overview

Hip-hop culture began in the early 1970s as the creative and activist expressions -- graffiti writing, dee-jaying, break dancing, and rap music -- of black and Latino youth in the depressed South Bronx, and the movement has since grown into a worldwide cultural phenomenon that permeates almost every aspect of society, from speech to dress. But although hip-hop has been assimilated and exploited in the mainstream, young black women who came of age...

• Format: Paperback
• Language: English
• ISBN: 1555536077
• ISBN13: 9781555536077
• Release Date: May 2004
• Publisher: Northeastern University Press
• Length: 265 Pages
• Weight: 1.20 lbs.
• Dimensions: 0.8" x 6.3" x 9.2"
• Grade Range: Postsecondary and higher

Customer Reviews

Hip-Hop From A Woman's Point Of View

Gwendolyn Pough has done something that many would have never thought could be done she wrote a delicate yet interesting academic book on an era that many seem to think will faze out hip hop has been with us for three decades or more hip hop has continue to thrive even when things that had nothing to do with it where use it against it but Ms. Pough takes it even farther she takes it to a point where most will tell you don't exist she breaks it down and tell you how woman yes I said it woman not just any woman but black woman step in and made their selves known in hip hop even though other hip hop scholars deny that ever being. Gwendolyn takes you back to the days when working the turntables was a way to perform, rapping was a way to be heard, graffiti was a way to be seen because the state didn't want to have a performing arts curriculum so the black youth found away to allow their culture to thrive without the help of those who were educated to teach them these things they didn't need anyone to tell them what was the correct note or the proper way to do a dance the generation of that time was determine to make something of their selves and to say that this culture as Ms. Pough considers Hip Hop continues to grow so does other aspects of it from Rap to the Urban gear we see not only is it baggy jeans anymore we now see our young black brothers sharply dress in a three piece suite courtesy of Sean "P Diddy" Combs, brothers are wearing GRILLZ in their mouth because of Nelly, and last but surely not least women artist aren't afraid to take the stage because they have seen Missy, McLyte, Mary J Blidge, Queen Latifah, TLC, Salt N Pepper those ladies before them do it and they are determine to do it their selves I mean if you look at it Missy Elliott she is doing big things from producing to running her very own company. You can't tell me that hip hop has not arrived and that the black woman didn't help it arrive I mean woman are playing important roles in hip hop movies I know you all saw Brown Sugar where Taye Diggs and Sanaa Lathan are representatives of hip hop she is a part of it just as much as he is but no man will ever tell you hip hop is represent like it is black and white / man and female but Gwendolyn Pough has no problem telling you the truth behind the culture we know as Hip Hop. After reading the book I sat back for a moment and really thought of what Ms. Pough said and her book now for me it was easy to accept as a young black woman working in the hip hop industry as a radio personality I see it all the time some black female artist trying to go up against whatever fella that's on the corner rapping its nothing to see a sister battling it out to maintain her place in the game they will get raunchy with their words and say something that you wouldn't expect but they will do what it takes to stand with the fellas because they know what its like to be in the male world of hip hop. So I stand give Ms Pough a applause for her dedication

Different Perspective...

Unfortunately I must disagree with the other reviewers in that Pough's book is a history of women in hip hop. It is actually much more than that. Check It While I Wreck It is mainly a discussion of black women in the public sphere and questions how black women are portrayed not only in hip hop culture but in black culture. The author asks the reader to review some of the things we as women love so much about hip hop and ask how much these things have influenced today's young women. She gives her own reasons of why women have a hard time breaking into the hip hop culture and engages in the age-old question: can black women uplift themselves and embrace their own culture without the emmasculation of black men. With that said, if you are looking for a history of women in hip hop, this may not be your best source. However, if you looking for a study of black womanhood as a culture and its evolution, this would be a great choice.

First Ladies of Hip Hop... Please Stand Up!

"Wave ya hands in the air and shake`em like you just don't care." These are words often used to hype the crowd for hip-hop concerts around the country. I found myself singing the same tune as I read this remarkable tribute to African American culture, hip-hop and feminism. Pough does an exceptional job of researching the roots of black women in the hip-hop phenomena, which has swept the world and become embedded in its very foundation. The hip-hop culture is broken down and explained through the lens of black women detailing how it has changed and how women are viewed. She traces the rhetoric of women in all hip-hop genres: urban literature, rap & soul music, development of the spoken word, and black film. The essence of the title, Pough explains is how black women bring "wreck" which is a form of praise to describe the "skill and greatness" of the lyrics. Do you know the great women of hip-hop? You should take the time to sit down with this account of rap legends - Roxanne Shante, Queen Latifah, MC Lyte, Yo Yo, Salt-N-Pepa and many more. You will learn about Sylvia Robinson, the owner of Sugar Hill Records, break-dancer Baby Love, and poet lyricist Jessica Care Moore and Sista Soulja. Pough uses the work and dedication of these women to help readers understand how women are portrayed in hip-hop. She reaches back to Sojourner Truth preaching black power and equal rights use then leaps forward to Queen Latifah performing socially conscious rap and Salt-N-Pepa exuding sexuality in their breakout lyrics. From the stereotypical roles of "mammy" to the present day images of "chickenhead", black women have used rap music to outline their life, reconfigure their identities, and breakdown the historical stereotypes and negative images that male rappers have constructed. Pough has provided the world with a well-researched, provocative account of hip-hop culture and the women who have added to its success. Readers can relive the development of hip-hop and sing the songs, remember the films, dances and slang made popular starting from the early 1970's to the present. This is a must-have book for every hip-hop lover, feminist, or African American studies student/department. The issues discussed in this book will provide hours of discussion for anyone who reads it. Pough has brought "wreck" to the area of academia. Reviewed by M. Bruner for Loose Leaves Book Review

Bringing Wreck

When hip hop made its debut onto the urban scene in the 1970s, most saw it as a fad that would eventually fade into oblivion. Some thirty years later this culture, essentially born from urban decay, with its eclectic mix of rap music, poetry, dance, dress and attitude, has become universal. In her new book CHECK IT WHILE I WRECK IT, Gwendolyn Pough, assistant Professor of Women's Studies at the University of Minnesota, highlights some of the contributions of noted female rappers to hip hop and explores their impact on the evolution of the genre. Dr. Pough explains the phenomena of "bringing wreck" a catch phrase often used in hip hop circles, as a form of praise, to describe "skill and greatness." The author uses this terminology to ascribe to the ways in which various female rappers; from the lyrically raunchy Foxy Brown and Lil Kim to the socially conscious Queen Latifah and Lauren Hill have brought "wreck" to the world of hip hop by causing "disruptions which somehow shifted the way black people were viewed in the society at large." The author further expounds on the theory that the hip hop culture has the power to "affect change and bring wreck in a meaningful way" and exhorts female rappers to recognize the tremendous possibilities of hip hop and use it as a force for good. CHECK IT WHILE I WRECK IT is a thought-provoking, enlightening read which affords all readers a window into the world of an often misunderstood, yet extremely popular culture. At the core of this book is the author's call for female rappers to continue to "bring wreck" to the hip hop world, as they strive to carve their own niche in this essentially male dominated culture. Reviewed by Autumn of The RAWSISTAZ™ Reviewers

Erudite and Culturally Relevant

Throughout the history of Hip-Hop, its relationship with women (particularly Black women) and feminism has been strained. Though there have been a few success stories regarding women on the scene and behind the scenes of the Hip-Hop movement, women's place in it have been, for the most part, invisible, degrading, and kept to a minimum. In Gwendolyn's Pough's exciting new book, Check It While I Wreck It, the assistant professor of women's studies at the University of Minnesota examines the dysfunctional relationship between Black women, feminism, and Hip Hop. The book commences with a history of Black women in the public sphere who have contributed to the betterment of African-Americans such as Angela Davis, the historical Black clubwomen, and women who were trailblazers in the blues music industry. Pough reveals how Black women laid the foundation for future successes for the entire race. Pough writes "Black women were major players through Reconstruction, the civil rights movement, and the Black Power movement." In fact, because of their exclusion, the author even suggests a re-writing of history. Later the author gives us a more recent history of women's contributions to the arts and Hop, including Sylvia Robinson, the label owner of Sugar Hill Records, break dancer Baby Love, and female rapper Roxanne Shante. The book gives major props to Grammy-winner Queen Latifah, Sista Soulja, MC Lyte, and poet Jessica Care Moore. Pough also critiques the products of popular culture such as movies like Boyz N The Hood and Just Another Girl on the IRT, books such as Sista Soulja's The Coldest Winter Ever and Omar Tyree's Flyy Girl, and of course rap records such as L.L. Cool J's I Need Love, and Latifah's U.N.I.T.Y. The book is best when examining the problems that exist between women and Hip-Hop, from the objectification of women in music videos to the acts of hyper-sexual rappers such as Lil' Kim and Foxy Brown. Pough writes "Today, in addition to the old images of the sexually promiscuous Black women...we have the bitches, hos, stunts, hoochies, pigeons, chickenheads, and baby mamas put forth by Black men rappers. The need to struggle against stereotyped images is still present." Let's hope this book will keep the discussion that invokes change alive. "Check It While I Wreck" is a thoroughly researched, erudite, and culturally relevant work that is virtually impossible to put down. Reminiscent of the writings of bell hooks, this scholarly work in feminist theory and Hip-Hop culture is destined to be an instant classic taught in college lecture halls across the country.