Written for the adult players at the open-air Swan theatre in 1613,
this master-piece of Jacobean city comedy signals its ironic nature
even in the title: chaste maids, like most other goods and people in
London's busiest commercial area, are likely to be fake. Money is more
important than either happiness or honour; and the most coveted
commodities to be bought with it are sex and social prestige. Middleton
interweaves the fortunes...