Chagall

by Werner Haftmann and Werner Haftman

Book Overview

Offers a critical analysis of Chagall's paintings, graphics, mosaics, stained glass windows, and other works, with commentary on his themes, artistic development, and influence. This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0810907941
• ISBN13: 9780810907942
• Release Date: April 1984
• Publisher: Harry N. Abrams
• Length: 128 Pages
• Weight: 2.52 lbs.
• Dimensions: 0.8" x 9.3" x 12.3"
• Grade Range: Grade 8 to Postsecondary

Customer Reviews

Blue Muse

Painting illustrates inner and outer worlds in the colored dreams, experiences, memories and unconscious of MARC CHAGALL. I like the painter's mix of the fantastic with the real and use of colors, especially blue and green. Something that impresses me every time about his work is how a history of art is all there: Bonnard-type isolated color and light, with Redon-type dreaminess in "Bella in Mourillon"; Byzantine iconographic-type hand of God in the blessing ray across the angel of destiny in "The big circle"; Cezanne-type modulating in "Fruits and flowers"; Corot-, Monet- and Renoir-type hazily gleamed, richly varied colors in "Peasant life"; Cubist patchwork in "Dedicated to my fiance"; Fauves-type explosive coloring, with Gauguin-type awkwardly drawn figures and crudely contoured objects and with Jawlensky- or Kandinsky-type mystic Russian folklore in "Still life with lamp"; El Greco- and Tintoretto-type color build-up in "King David"; Matisse-type decorative outlining and flat colors in "Little parlor"; Neo-Imressionist-type moving color in "Homage to Apollinaire"; Orphist-type loudly bright colors in "The drunkard"; Picasso-type fear, mercy and protest over Guernica in "The falling angel"; Rembrandt-type solidly formal built-up face from shadowy darks to glowing lights in "Anch'io sono pittore" self-portrait; and later Titian-type green-gold in the radiating "Midsummer night's dream" light. It is always difficult for me to pick favorites from the artist's output, but I am always drawn to his "Message of Odysseus" wall mosaic: it is so unbeatably clever and effective to surround the sleeping hero with episodes from his life, or from his dreams, on shimmeringly colored stone and glass cubes. Author Werner Haftmann backs a helpfully well-written text with perfect illustrations: I like both his book and Jacob Baal-Teshuva's MARC CHAGALL.