Stephen C. Meyer details the intricate relationships between the operas Der Freisch?tz and Euryanthe, and contemporary discourse on both the "Germany of the imagination" and the new nation itself. In so doing, he presents excerpts from a wide range of philosophical, political, and musical writings, many of which are little known and otherwise unavailable in English. Individual chapters trace the multidimensional concept of German and "foreign"...
Related Subjects
Arts, Music & Photography Literary Criticism Literary Criticism & Collections Music