Can't Find My Way Home is a history of illicit drug use in America in the second half of the twentieth century and a personal journey through the drug experience. It's the remarkable story of how America got high, the epic tale of how the American Century transformed into the Great Stoned Age. Martin Torgoff begins with the avant-garde worlds of bebop jazz and the emerging Beat writers, who embraced the consciousness-altering properties of marijuana and other underground drugs. These musicians and writers midwifed the age of marijuana in the 1960s even as Timothy Leary and Richard Alpert (later Ram Dass) discovered the power of LSD, ushering in the psychedelic era. While President John Kennedy proclaimed a New Frontier and NASA journeyed to the moon, millions of young Americans began discovering their own new frontiers on a voyage to inner space. What had been the province of a fringe avant-garde only a decade earlier became a mass movement that affected and altered mainstream America. And so America sped through the century, dropping acid and eating magic mushrooms at home, shooting heroin and ingesting amphetamines in Vietnam, snorting cocaine in the disco era, smoking crack cocaine in the devastated inner cities of the 1980s, discovering MDMA (Ecstasy) in the rave culture of the 1990s. Can't Find My Way Home tells this extraordinary story by weaving together first-person accounts and historical background into a narrative vast in scope yet rich in intimate detail. Among those who describe their experiments with consciousness are Allen Ginsberg, Timothy Leary, Robert Stone, Wavy Gravy, Grace Slick, Oliver Stone, Peter Coyote, David Crosby, and many others from Haight Ashbury to Studio 54 to housing projects and rave warehouses. But Can't Find My Way Home does not neglect the recovery movement, the war on drugs, and the ongoing debate over drug policy. And even as Martin Torgoff tells the story of his own addiction and recovery, he neither romanticizes nor demonizes drugs. If he finds them less dangerous than the moral crusaders say they are, he also finds them less benign than advocates insist. Illegal drugs changed the cultural landscape of America, and they continue to shape our country, with enormous consequences. This ambitious, fascinating book is the story of how that happened. Book jacket.
I was around in the 60's and 70's, and I even remember them! This is a comprehensive and detailed history of several decades of youth, sex, and rock and roll culture, and it is detailed, unmistakably accurate, and a lot of fun to great.
Can't Find My Way Home: America in the Great Stoned Age, 1945-2000
Published by Thriftbooks.com User , 19 years ago
An excellent and very detailed history of drugs and its impact on our society. The book is thoroughly researched. It's entertaining and very readable. It's not only a review of the history of drugs in American society but also covers a number of individuals and the effect narcotics had on them. I found it fascinating and scary. Having lived through those turbulent times it brought back many memories. Pictures and a summary of the cast of characters would have enhanced the book. All in all a good read.
Bible for our generation
Published by Thriftbooks.com User , 22 years ago
This is a fantastic book--the history of our time, the author's insights and synthesis. It's wildly affecting and entertaining, and it's bigger than what it seems to be about. Torgoff has a touch of Balzac in him, that's for sure. He gets the joke, but he also captures the loss and pathos. I especially liked his own story--he wove it into the narrative in a really detached way that made it all the more affecting. I stayed up all night reading.
GREAT BOOK FOR UNIVERSITY COURSES!!!
Published by Thriftbooks.com User , 22 years ago
I'm reading this book a bit at a time. Each part is like a little history lesson - full of specific people, places and things that I've heard a lot of stories about - usually from folks who didn't have a great deal of clarity when they were either living through them OR speaking about them. Torgoff has that clarity and there's humor in his prose that gives it a certain kind of bop. Yes, it's a long book. Most people who write long books these days write them as if they are "afraid of going to hell" for having done so - there's no ease, things get really claustrophobic in such books. Torgoff sails through this material not so much like a man who's afraid of going to hell...but as a man who's been there. There's a kind of ease, a kind of compassion and a sense of spaciousness to Torgoff's style in this work. The length of the book doesn't seem that long. Maybe it would SEEM LONGER if Torgoff attempted to adapt his style to the demands of the market...some kind of a weekly reader version of the lifes, legends, loves (and drugs) of the times he's telling us about. Thank GOD he didn't cave into that. Can't Find My Way Home makes me want to listen to a hell of a lot of music, see some movies again and read more books about the myriad folks who inhabit this book.I see this book as a definite college text for classes focusing on the the history of jazz, rock and roll, film and literature in the last sixty years of American culture. The fact that Torgoff weaves his own story into this piece communicates to me that he's not of those people who goes around chanting phrases like "If you remember the 60's you weren't there". Torgoff indicates to the reader that he was "there" and that he managed to extricate himself from the oblivion of those times through either the grace of God, or his own luck, karma or whatever. Thus, Torgoff's writing in this book is infused with a kind of all pervasive sharpness, like the razor edge of a hatchet, that only comes from the words of those who have lived...and survived. I have a sense that Torgoff has been swinging this blade for some time...I suspect he's cut through a great deal of his own personal reference points in order to find the patience and perseverance to not only deliver this work...but to have the humility to title the work as he has. Bravo!!
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