Like the fame of Pardo-Baz n, the reputation of Campoamor has suffered a rapid decline. The renown of the poet was flimsier and more ephermal than that of Spain's most notable woman writer. It contained more enthusiasm and less respect. Most of his prose works and many of his dramas died young, whereas D na Emilia's infinitely more copious production was uniformly living and vigorous. The integral value of Pardo-Baz n's work is beyond measure greater...