Butterfly Burning

by Yvonne Vera

Book Overview

Vera exploits language to peel away the skin of public and private lives. In Butterfly Burning she captures the ebullience and the bitterness of township life, as well as the strength and courage of her unforgettable heroine.

Butterfly Burning brings the brilliantly poetic voice of Zimbabwean writer Yvonne Vera to American readers for the first time. Set in Makokoba, a black township, in the late l940s, the novel is...

• Format: Paperback
• Language: English
• ISBN: 0374291861
• ISBN13: 9780374291860
• Release Date: September 2000
• Publisher: Farrar, Strauss & Giroux-3pl
• Length: 160 Pages
• Weight: 0.35 lbs.
• Dimensions: 0.5" x 5.5" x 8.2"

Customer Reviews

Mesmerizing

All those who enter into this novel will be rewarded. One of the best writers of any country, Yvonne Vera's poetic language may be dense, but it is oh, so worth untangling.

Short Novel, Dense Prose.

Don't judge this book by its cover, its a tough read. Her style reminds of Morrison, but on another lyrical level. The plot is paper thin if not for the dense language. The concentration is more on the language than an actual plot. If you like poetry check this out, if you want a riveting story you might want to look elsewhere.

Not your average novel, but poetry

The Booker Tea Reading Group (Wash., D.C.) read this title for our June discussion. While all of us agreed that Vera was a powerful and skilled writer, many also concluded that her writing style was so dense and poetry-like that it made it a challenge to read. This is not a put-down-pick-up-where-you-left-off book. The book does not have a plot. Rather, you are painted a picture of Southern Rhodesia that is both brutal and compelling for the reader and the characters drawn by Vera. The author gives space to the love story in glimpses between images of racial violence, back-breaking labor, rootless children, lost women and desperate men. Some scenes were so vivid it made me wriggle about in discomfort. We recently read "Austerlitz" by Sebald. If you were a patient enough reader for that, and enjoyed it, you'll like Vera. Also reminiscent of the beautiful and complex works of Toni Morrison.

POWERFUL WRITING THAT SPEAKS TO THE UNIVERSAL HEART

Yvonne Vera's talent is amazing - she is gifted with the ability to relate stories set in her native Zimbabwe with stunning literary grace and beauty, opening the lives of her characters to the readers' eyes and hearts, laying bare the lovely and depraved and everything in between. That she does all of this and additionally illuminates and brings forth the universal aspects in each and every instance bears witness to the fact that, while she may be an African writer, writing about African people and events, she deserves to be recognized, admired and honored by the world at large - and the world at large owes it to itself to discover her talents.BUTTERFLY BURNING is set in a Rhodesian township in the late 1940s - long before Independence from British rule. The black citizens (who, in reality, weren't recognized as citizens in their own country) were reviled by most of the whites, looked upon as a source of cheap labor and criminal activity. They weren't even allowed to walk on the sidewalks with the 'imported' white citizens. The heroine of Vera's novel is a young woman named Phephelaphi - orphaned as a young girl and raised by a close friend of her mother, she is filled with a burning need to always become more, to see her life expand without limits. This longing became widespread in the hearts of women in the West many years later with the rise of feminism - women sick of being relegated to cooking and cleaning, aching for more of an education and more of a chance to find their place in the world. Phephelaphi's yearnings lead her ever forward - emotionally, socially, and with respect to a potential career. When her path crosses with that of Fumbatha - an older man with a kind heart and a bruised and battered past (as many in Rhodesia were) - she finds love and security, and, for a while, satisfaction and fulfillment. With all of the love he can offer her, however, Fumbatha cannot fulfill all of Phephelaphi's needs - and her search to meet these needs brings her both joy and sorrow. The joys she experiences will raise your heart to the heavens - and her sorrows will break it.As in her newest novel, THE STONE VIRGINS, Vera breathes palpable life into her characters - they are immediately acceptable and accessible to the reader. The physical settings - both the natural world and the world of the township and city - spring to life as well through the careful brush-strokes of the author's words. All of it blends together into a style that entertains on one level, certainly - but this writing will affect the reader on many, many levels. There is a depth and beauty here - and a natural grace - that is a rare thing in writing. Vera's novels are short (two of them, WITHOUT A NAME and UNDER THE TONGUE, are contained in one volume), but don't be deceived - once begun, they expand exponentially, and they will resonate within you for years to come.

An Exquisite Find

I found this book while browsing my local library shelves. The story of a young woman's longing for selfhood in an Arfrican township during the 1940's speaks volumes to all of us who have felt, at one time or another, trapped in the seeming bleakness of our surroundings. The writing is startlingly beautiful in its imagery, rich and full of bittersweetness like chocolate. The words come in floods and tides, you are literally overwhelmed by her words. They, alone, give their own experience. The story of Phephelaphi is visceral: you do not merely read about her life, but feel it through her pain. Vera writes with the African closeness to nature and being; it is not an easy read, but one that will stay with you long after the last page is turned.