Ray McCreary is a Vietnam vet, just forty, with inclinations -- startling to himself -- to settle down, marry the woman he thinks he loves, and have a child. He sets out on a journey to seek a kind of... This description may be from another edition of this product.
To call this a southern novel is to minimize it, I believe. With a sure blend of dramatic, soft, and comic scenes, Blair captures the quiet murmurings and bonding rites of a Nam generation, the one between the Boomers and X- or whatever-geners, between NASCAR good ol' boys and white collar upper-mobilers, a lost tribe, drifting under the cultural radar, vets of that mistake whose search for meaning mirrors that of a larger society. The characters of this novel we know: manboys, many of whom earn their living unnoticed as the artisans of our age, some of whom have to go on the road one last time to find closure to they know not what, others who create faux totems to a mythic American past in their own surround, and others looking for that one last brass ring. In the main character we recognize his uncertainties in allowing the love he feels for the woman who loves him and grow with him as he eventually comes home to a new place. Isn't that what many good reads are about: coming home to a new place?
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