Blue of Noon

by Georges Bataille

Book Overview

Troppmann wanders erotically through the politically troubled Europe of the 1930s. This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0141195541
• ISBN13: 9780141195544
• Release Date: June 2012
• Publisher: Penguin Books, Limited (UK)
• Length: 128 Pages
• Weight: 0.30 lbs.
• Dimensions: 0.3" x 5.1" x 7.8"

Customer Reviews

a severely underrated masterpiece

I don't understand why this book is considered to be one of Bataille's bastard children. It's beautifully written. The man was capable of working miracles with words through his style and arrangement of them. Blue of Noon is definitely not an exception. Bataille's style is always one of brutal elegance. He's like a lover who slaps you in the face, only to pull you into a gentle embrace a moment later. The main character, Troppman, is the star here - he is a deviant trying is best not to be. Ahhhh, the internal struggles - do you stay married and live your life as a respectable, productive member of society. Or do you run off with whores and derelicts to indulge the savage needs you've so long supressed. Not to be outdone, his brightest co-star, is a woman named Dirty. She is a beautiful creation. She is a train wreck of a woman. She and Troppman braid themselves together in clearly conspicuous codependence of the worst sort, bawdy drunkeness paving the pathways to irrevocable damnation. I also enjoyed Lazare; a woman Troppman finds himself thoroughly disgusted with, she has no redeeming features. Yet, he cannot stay away. If you are a fan of the madman Bataille, don't miss out on this one. I think this is truly some of his best work.

a severely underrated masterpiece

I don't understand why this book is considered to be one of Bataille's [illegitimate] children. It's beautifully written. The man was capable of working miracles with words through his style and arrangement of them. Blue of Noon is definitely not an exception. Bataille's style is always one of brutal elegance. He's like a lover who slaps you in the face, only to pull you into a gentle embrace a moment later. The main character, Troppman, is the star here - he is a deviant trying is best not to be. Ahhhh, the internal struggles - do you stay married and live your life as a respectable, productive member of society. Or do you run off with [prostitutes] and derelicts to indulge the savage needs you've so long supressed. Not to be outdone, his brightest co-star, is a woman named Dirty. She is a beautiful creation. She is a train wreck of a woman. She and Troppman braid themselves together in clearly conspicuous codependence of the worst sort, bawdy drunkeness paving the pathways to irrevocable damnation. I also enjoyed Lazare; a woman Troppman finds himself thoroughly disgusted with, she has no redeeming features. Yet, he cannot stay away. If you are a fan of the madman Bataille, don't miss out on this one. I think this is truly some of his best work.

DEATH, SEX, AND REDEMPTION

I don't really know how to begin this review. There's not really a good angle to approach this remarkable and beautiful book. What do you do when the very things that attract you to a woman disgust you and yet they turn you on at the same time. In this novel Henri and his wife, whom he sometimes refers to by giving her the name "Dirty" are driving each other insane. They love each other but the very intensity of their personalities makes them fated to never be at peace. This is the root of their despair, that they both realize the futility of being with each other. Henri sinks into dissipation and having relationships with women he thoroughly despises. The first, a woman named Lazare, he refers to as a "raven of ill omen". She is so ugly and despicable but he loves her in a way simply because she reeks of death. He wants to surround himself with an environment that reflects his state of mind. Dirty is dying and you sense that in reality her spirit has already passed on and its simply her image dragging Henri into her own horrible hell. Most of the book takes place in Spain just as the Spanish Civil War is beginning and there are all kinds of portents of the coming World War which adds to the darkness of the characters. This book was brillantly done. The characters seemed so real because they did hurt each other, because they did have unhealthy obsessions which they revel in instead of hiding them within. They give full vent to their joys just as much as their miseries. This is the first book I have read by Bataille and I am curious to see what his other work is like.

If I was a male french erotica writer in the 30s...

This was the first of Bataille's books that I have read/am reading. I stopped at the store today and got another, L'Abbe C. I read Story of the Eye last week (that one was my favorite). As I read (devoured?) Blue of Noon it was like a dawning, an uncovering of a type of writing that I've been trying to find an example of, since it is the style of most of the things I write. Bataille combines his emotions and feelings and anguish and disgust and frustration with the story of this guy and his relationships with various women. It's hard for me to describe what this book did for me because I understand the comparisons and allusions, but taken exactly as it is without trying to find any hidden meaning will still provide for excellent reading. I'd say dismiss any and all negative reviews and get this book, then get Story of the Eye, then The Accursed Share, then everything else this brilliant man has written..

This book changed my life.

Blue of Noon disturbed those dark corners previously controlled by my Victorian pretension and pathological grasping. Anyone suffering from either will find liberation in Bataille.