Blue Chicago takes us inside the world of contemporary urban blues clubs to uncover how iconic--yet empty--images of the blues are manufactured and sold to music fans and audiences. Drawing on countless nights in dozens of blues clubs throughout Chicago, David Grazian shows how this quest for authenticity has transformed the very shape of the blues experience. He explores the ways in which professional and amateur musicians, club owners, and city boosters define authenticity and dish it out to tourists and bar regulars. He also tracks the changing relations between race and the blues over the past several decades, including the increasing frustrations of black musicians forced to slog through the same set of overplayed blues standards for mainly white audiences night after night. In the end, Grazian finds that authenticity lies in the eye of the beholder: a nocturnal fantasy to some, an essential way of life to others, and a frustrating burden to the rest. "Chicago has given the world distinctive forms of urban blues and urban sociology. . . . In Blue Chicago, David Grazian's lucid and bracingly unpious study of the blues scene, the two homegrown traditions meet with satisfying results."--Carlo Rotella, Chicago Tribune
A wonderful, highly readable sociological blues review
Published by Thriftbooks.com User , 21 years ago
Grazian presents the world of Chicago's blues scene with the loving touch of a real fan, and the critical eye of a deep-thinking sociologist. His exploration of notions of "authenticity" in blues is penetrating and insightful, as he examines what it is in the blues experience that makes us think of it as "authentic" -- is it the color of the musician? The world-weariness in his voice? The ambience or clientele of the club? Or is it simply a construct of audience expectations, differing from person to person? Grazian, a blues player himself, skillfully points out how and why the authenticity we seek in our music is a reflection of our search for authenticity, the desire to "keep it real," in culture itself.
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