Two sorcerers - one black and one white - are killing their own descendants in order to achieve immortality, and to defeat them, a white supremacist and former Green Beret must find a way to work together with his previously unknown black cousin.
Steven Barnes is better known for science fiction, but this novel from 1996 was an early example of his forays into other genres, in this case a Koontz-ish supernatural thriller. The plotline here is very busy and ambitious, maybe too much so, with ancient African black magic unleashing an evil menace that was fueled by the horrors of slavery in America and continues to this day in a far-flung conspiracy of kidnapping and murder. Barnes layers on an incredibly intricate series of plat elements and manages to tie up all (or most) of the loose ends, really making the reader appreciate the complexity of the story, even though some of that complexity can be exasperating. But this novel's real strengths are on the thematic side. Having two protagonists who should and initially do hate each other (a young black computer hacker and a violent white supremacist), who then have to resolve their differences and work together, is a pretty well-worn conceit but Barnes uses it brilliantly. The main characters are robust and defy stereotypes, and Barnes constructs incredibly disturbing and thought-provoking insights on race relations and the evils that can arise from a long history of discrimination and oppression. While this book's backdrop story of an evil conspiracy and the resulting chase can be unnecessarily dense, Barnes lays out his plotlines and sub-plotlines very well and his thematic insights are ultimately stirring and fascinating for the reader. In a genre that's been done to death with formulaic plots and stereotypical characters, this one rises above the pack. [~doomsdayer520~]
Twists-Turns-Plots & Sub-Plots
Published by Thriftbooks.com User , 20 years ago
This was one of the best books I've read since discovering this author. The flow and style will grab you and you'll never see or guess what's coming on the next page. Two words sum up this book: "Read it!"
Great mixture of action and mysticism
Published by Thriftbooks.com User , 20 years ago
This was a great read! As so many of Barnes' novels, Blood Brothers tackles a series of human issues. The story essentially centers around two men who could not be more different: A black former computer hacker; divorced and still dealing the the pain of his split family. And a white, former special forces/martial artist serving a life sentence for the murder of his family...oh, and he is involved with the Aryan Nation in prison. What makes this story so interesting is not how different these men are, but how truly similar they are. The two are forced to work together to unravel a mystery that is over a hundred years old. As always Barnes does a masterful job of getting his reader to 'become' each of the characters. In my opinion, great writing is about people, not about deep storylines, and Barnes pulls the reader in from the first page, making them truly empathize and care about all the characters. A great read with lots of twists and turns.
Great book
Published by Thriftbooks.com User , 22 years ago
This was a very good read, I do believe that it is a book that is a mixture of science fiction, horror and mystery all rolled into one. It also addresses the issues of race relations. All in All I enjoyed it.
As anyone knows, I'm a tough sell. It takes a lot for a book to capture my imagination and make me want to really, really read it and regret it when I reach the end. Blood Brothers was just such a book. What makes it a good book?"In L.A., young black computer games programmer/hacker Derek Waites is horrified when a cop attempts to abduct his children- -promising teenager Troy and lovable young Dee--and his ex-wife Rachel. Recently, Dee has been going into trances and reporting messages from a certain Dahlia Washington. The connection? Well, Derek's family is descended from Dahlia and slave-owner Augustus DuPris; now hundreds of years old, DuPris is a sorcerer who rejuvenates himself by feeding on the life-forces of his descendants. Dahlia says that a man named Tucker can help Derek. Tucker, it emerges, is white, has connections to neo-Nazi groups, and is rotting in jail for murdering his family! But--aha!--Tucker is descended from another sorcerer, The African, DuPris's partner, who preys upon Tucker's family just as DuPris preys upon Derek's. So, even if Derek can bust Tucker out of jail, can the two set aside their differences to save Derek's children and defeat the sorcerers?"That's the basic set-up but what makes this novel compelling is how each character actually has a personality. The novel does tend to jerk a little at the end, unfortunately the strongest books of this nature can't live up in scale in the end. That's a given when the book is really good. The trade-off is that the story really pumps as Derek and Tucker genuinely don't like one another, for self-valid reasons. At the heart of this book is themes of racism and underlying relationships. It's one of the first books that I've seen that suggested a physical and spiritual need for a cooperation between Black and White people, I think that's what makes this book outstanding. You could point out that Derek and Tucker as archetypes are reversed for socialized views of what they should be or should know---Derek has no "killer instinct" (his hesitancy puts him and others at risks and at the same time makes him invaluable as he stops and evaluates each move, like a chess player and Tucker is constantly acting without thinking (his greatest strength but also his greatest limitation). I personally believe that the link between all the People's of this here planet Earth is basic, perhaps even down to the blood and the magic realism/sci fi-esque field will explore this area quicker than other forms of literature. The summer after discovering Steven Barnes I then found his name as a note on a Tananarive Due books, all three which are excellent as well. Between the two of them there is a slow but steady emergence in the Fantasy (? I have no idea what to specifiy this field as, it covers so many areas but I do believe that at a point it is firmly grounded New Literature).This book then lead me on to another Barnes book, Iron Shadows and the measure of a book is whether or not one
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