Blacks

by Gwendolyn Brooks

Book Overview

Here is a necessary collection of poetry for admirers of words and treasurers of literary beauty. Spanning more than 30 years, this collection of literary masterpieces by the venerable Ms. Gwendolyn Brooks, arguably Illinois' most beloved Poet Laureate and Chicago's elder black literary stateswoman, ""Blacks"" includes all of Ms. Brooks' critically acclaimed writings. Within its covers is the groundbreaking ""Annie Allen,"" which earned her the Pulitzer...

• Format: Paperback
• Language: English
• ISBN: 0883781050
• ISBN13: 9780883781050
• Release Date: January 1994
• Publisher: Third World Press
• Length: 512 Pages
• Weight: 1.42 lbs.
• Dimensions: 1.4" x 5.4" x 8.4"

Customer Reviews

Ms. Brooks best writings

This book contains some of Gwendolyn Brooks best poetry. It is definitely a keeper!

Excellent poetry

A collection of poetry by Brooks, probably the most honored African- American poet. It also includes "Maud Martha," Brooks' single novel to date. I liked the novel, but felt it was a little too much for me. I like poetry, but I think I like it in small doses, where I can relax and read and reread it without concentrating on how much time it is taking me to do so. Her fiction is like poetry, in the sense that it had as much to do with the vision of things as it did with the characterization or the plot. This is my failing as a reader: I've never cared that much for description, and the longer it continues, the more likely I am to tune out.But the short poems here, especially from her earlier period, I like a lot. The subjects are strong and powerful, the economy and purpose of the prose admirable. One of my favorites was a poem called "Queen of the Blues," which contrasted the stage persona of a Billie Holliday-like singer with the treatment she receives as an African-American woman. Queen or no queen, she still has the blues. Or "The Murder," about a young boy who sits his toddler brother on fire then doesn't understand when the little brother isn't around afterwards. I did not care as much for her later poems, which were much more experimental in form and harder to follow in content.

Brooks has "a long reach, / strong speech"

"Blacks" is a collection of several decades' worth of the work of Gwendolyn Brooks, who is one of the most significant figures in 20th century American poetry. At over 500 pages long, "Blacks" is a truly monumental text. Included are several books in their entirety ("Annie Allen," "In the Mecca," etc.) as well as excerpts from some later books ("Primer for Blacks," "The Near-Johannesburg Boy and Other Poems," etc.). Although most of the books represented are works of poetry, "Blacks" also contains the text of Brooks' 1953 novel "Maud Martha."Brooks is a stylistic virtuoso, proficient with the sonnet, ballad, free verse, and other forms. She is an expert with alliteration, rhyme, and other musical effects. Her vocabulary is encyclopedic; she evokes not only African-American vernacular speech, but also the entire sweeping history of the literary tradition in English. In this collection are both short poems and longer poems.Many of Brooks' poems deal with aspects of African-American life. She writes of anti-Black violence and other forms of racism, and reflects upon enduring figures in African-American cultural history. She also writes of family relationships and intimate personal crises.Her novel, "Maud Martha," is a poetic chronicle of the life of a dark-skinned urban Black girl. We follow Maud Martha through her girlhood, marriage, and motherhood. "Maud Martha" is a memorable vision of an African-American woman's life, and, in my opinion, should stand beside such literary works as Harriet Jacobs' "Incidents in the Life of a Slave Girl," Zora Neale Hurston's "Their Eyes Were Watching God," and Audre Lorde's "Zami."Of Brooks' long poems, I found the most memorable to be "In the Mecca," a tragic and haunting narrative poem that takes place in a Chicago apartment building. "In the Mecca" is a sort of urban, African-American "Odyssey" in which we encounter the various inhabitants of this world.In her poetic tribute to Langston Hughes, Brooks writes that he has "a long reach, / strong speech." I would say the same of Brooks. Her amazing body of work deserves to reach into the 21st century and beyond.

Sweeping and Epic

Gwendolyn Brooks is one of my favorite poets and this anthology of her work gives a glimpsing answer to the question 'why?' "Blacks" is a veritae encyclopedia of the America experience written in Brooks' lucid but unsettling style. It's people like T.S Eliot which make us think art is an inclusive privilege of a born, elite few. And then artists -like Brooks- go right along and prove that, at its best, art is inclusive, fun and thought-provoking. Rather than tying itself up in esoteric knots, Brooks' poetry flows along personal but recognizable paths that most blacks have experienced at one time or another.I go to Northwestern U. and we've had the privilege of her speaking at our school many times. And after meeting her my respect only grew.Forever "young, gifted and black" Gwedolyn Brooks deserves nothing less than the attention given to the likes of Langston Hughes or Phylis Wheatley. This books shows us why.